Tag Archives: Pop culture

A Surprise Escape Room… During a Wedding!

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We’ve seen puzzly marriage proposals (even helping design a few over the years!), we’ve seen puzzly wedding party invitations, and we’ve seen puzzly wedding receptions…

But I think this is the first puzzly wedding I’ve ever seen!

Yes, the bride surprised the groom with a wedding ring trapped in a combination lock!

She then read out a riddle, loaded with clues that were tied to costumes and items held by various guests in attendance, each of them with a number.

So he needed to decode which references in the riddle connected to the numbers and characters in the audience.

And, quite cleverly, the combination turned out to be the exact date they met.

This is the lovely sort of puzzle fun that I think all of us sorely need right now, so thank you to friend of the blog and all around good egg Jen for sharing the video with me!

And if you’re in the mood for other lighthearted, puzzle-fueled, wedding-centric content, here’s a quick bullet list of links for you to enjoy:

Happy puzzling, everyone! Happy Valentine’s Day! And watch out for those escape rooms… they can show up anywhere these days!

puzzlelove

The more things change… (Tariffs and the Board Game Industry)

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Well, this is the worst kind of deja vu.

Five years ago, in February of 2020, I wrote a blog post about how the pandemic was affecting the board game industry, particularly regarding production and shipping from China and how it was hurting (sometimes crippling) board game companies.

And now, half a decade hence, I’m writing a blog post about another global disaster affecting the board game industry:

Donald Trump.

You see, the president’s “genius” plan to enact large tariffs against the US’s trade partners, forcing the American public to pay more for goods from China, Mexico, and Canada, is guaranteed to hurt many MANY industries, and the board game industry is one of them.

Already, game companies are reaching out to their customers with mailing list entries and blog posts and warning them of potential price hikes being forced upon them by this half-witted political stunt.

Atlas Games, for instance, issued a post this week about the current, frustrating, entirely-avoidable situation:

Unfortunately, there’s confusion and a distinct lack of clear guidance at this point. While Canada’s announcement of tariffs they’re levying in response clearly states that goods already en route to Canada aren’t subject to them, the Trump Administration has been contradictory on how and when US tariffs will actually be applied.

For example, two 40-foot shipping containers filled with our new game Vicious Gardens arrived in Seattle on Saturday. These games are on US soil, but they haven’t yet cleared customs. We don’t know if, when they do, we may be handed a tax bill equal to 10% of their value…

We also need to place orders NOW to reprint some of our popular titles. The Pops & Bejou game CULTivate is now published by Atlas Games. It’s out of stock, but we’ve had to delay the reprint because of the lack of clarity about these import taxes. During the election campaign, Trump threatened that tariffs on Chinese-made goods could be as high as 60% to 100%.

Unlike the president and his poor explanation of the current constantly-evolving tariff agenda, these game companies are striving to be as transparent about their circumstances as possible.

That kind of honesty goes a long way with customers, and while both the companies and customers will be feeling the squeeze of these new tariff-induced costs, hopefully the companies can still remain profitable and board game fans can still enjoy these wonderful play experiences.

Sadly, this is no surprise to industry insiders. Steve Jackson Games wrote about the consequences of the tariffs back in early November, and Stonemeier Games soon followed in early December.

A few days ago, CBS8 did a report about a local game shop in San Diego that expects to take a big hit when the tariffs land.

Some companies, like Monte Cook Games, are doing limited time discounts and sales to offset the upcoming tariff pricing. Some tabletop roleplaying game companies are already considering retreating from the physical game market entirely and focusing on PDF and downloadable products to remain profitable.

Much like the ripple effect of COVID in 2020, I suspect the effect of Trump’s tariffs will be felt for years to come.

But, unfortunately, like so many things these days, we’ll have to wait and see… and hope for the best… but expect the worst.

What’s a Shortz Number?

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While I was researching Salomon Numbers for last week’s post, I discovered another crossword-centric number system with an S-name attached.

The Shortz Number.

Actually, I found several of them.

Allow me to elucidate.

XWordInfo lists a constructor’s Shortz Number as a reflection of when that constructor was first published in a daily puzzle during the Shortz Era of The New York Times crossword.

For instance, Jacob Reed debuts in today’s puzzle, and his Shortz Number is 1373.

Peter Gordon is 1. Merl Reagle is 26. Bernice Gordon is 77. Matt Gaffney is 97. Nancy Salomon is 143. Patrick Berry is 257. Deb Amlen is 378. Doug Peterson is 431. Patti Varol is 1000.

It’s an incredible insight into an ever-evolving roster of constructors.

According to a cursory Google Search, this seems to be the most legitimate definition of a Shortz Number.

But there are others.

The second and most specious definition seems to be a Shortzian take on the Salomon Number, connecting constructors to Shortz through a Kevin Bacon-like system of collaborations.

I only found a few references to this interpretation, so it seems more like a coincidence than actual cultural permeation.

But that still leaves one more version of a Shortz Number, and it’s my favorite one.

This version is actually referenced on Wikipedia under Humorous Units of Measurement and apparently originated as a Reddit post.

But in this instance, a Shortz is a unit of measurement for fame. More specifically, it’s the number of times a person’s name has appeared in The New York Times crossword as either a clue or a solution.

The brief post then goes on to state that Shortz himself is 1 Shortz famous. (I was unable to verify this through XWordInfo, either through SHORTZ, WILLSHORTZ, or WILL as grid entries.)

But as someone who enjoys weird statistics, I was definitely intrigued by this one. What’s the Shortz Number for common crosswordese and frequent fill?

I mean, RIPTORN only has a 6, but that’s an impressive number of times to get your first AND last name in a crossword.

So let’s dig in.

First things first, I’m jettisoning the clue aspect of the definition. Let’s stick to grid entries.

I’m also doing my best to eliminate shared names or ones with multiple definitions. ETTA has 241 uses in the Shortz Era, but I don’t want to parse between James and Jones. Same for ELLA (249), ANA (342), and ALOU (150).

Second, let’s stick to real people. It’s cool that SMEE has 114, ODIE 145, and ASTA a staggering 183. But the Bacon, Erdos, and Salomon Numbers rely on real people, so our Shortz Number will too.

So allow me to present the people with the 8 highest Shortz Numbers I could find:

#8 ENYA – 149
#7 ALDA – 152
#6 UMA – 162
#5 OTT – 188
#4 ONO – 196 (minus a half-dozen or so fish references)
#3 ESAU – 226 (hard to stat out other biblical figures like Adam, Eve, Enos, because of other uses)
#2 ASHE – 264

and, as you might expect…

#1 ENO – 268!

It’s certainly a close race, and one that could easily change in the future!

Let’s add one more wrinkle before we go.

Because it’s interesting to track all the Shortz Era uses… but there are decades of puzzles before that, and XWordInfo has stats on them too.

So do the rankings change when you factor those puzzles in?

Absolutely.

Let’s call these Farrar Numbers and see how things shake out.

I mentioned ETTA earlier. The pre-Shortz puzzles cause their Farrar Number to be more than double, vaulting up to 516. Similarly, ELLA leaps to 688 and ANA to 758!

Some of our fictional friends also prosper, with SMEE moving from 114 to 332 and ASTA rocketing from 183 to 533! But ODIE only adds a handful more, moving from 145 to 156.

So how did our top 8 do?

ENYA (149) stayed in the exact same place. There were NO pre-Shortzian references.

UMA (167) drops from 6th to 7th, only gaining 5 more references. She swaps places with ALDA (270), who adds a lot of references (discounting the hundred or so mentioning his father or opera star Frances Alda).

Sadly, ENO (280) plummets from the #1 spot all the way to 5th, only adding another dozen or so references to make his Farrar Number.

ONO (390) stays in 4th despite nearly doubling the number of references, while OTT (432) leapfrogs over ONO, going from 5th to 3rd with an impressive pre-Shortzian showing.

ASHE (560) stays in 2nd despite more than doubling his references (and obviously disappearing from the pre-Shortzian rankings in the early 1960s).

This means ESAU (609) goes from 3rd to 1st in the Farrar Number rankings!

So, whether you prefer your Shortz Number to be chronological, Baconian, or grid-centric, you’ve got plenty of options.

But personally, I think the Farrar Number is gonna take the world by storm!

Okay… maybe not. But it’s certainly fun to think about.

Happy puzzling, everyone!

The ORCAS: The Oscars of the Crossword World!

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Constructors are doing incredible things with crosswords, so it’s fitting that there’s an award show dedicated to the hardworking cruciverbalists of the world and their marvelously devious creations.

Originally called The Oryx Awards or the Oryxes, The ORCAS (an anagram of OSCAR) celebrate crossword excellence. For the 13th edition of the event, the team at Diary of a Crossword Fiend have lined up some seriously impressive puzzles and puzzlers.

Be sure to check out the full list of nominees and cast your votes! Here are the categories:

  • Best Easy Crossword
  • Best Themed Crossword
  • Best Themeless Crossword
  • Best Sunday-Sized Crossword
  • Best Clue
  • Best Tournament Crossword
  • Best Contest Crossword
  • Best Variety Crossword
  • Best Midi Crossword
  • Constructor of the Year

Voting closes at midnight ET on Monday, February 17 (President’s Day).

Image courtesy of the World Wildlife Fund.

I was very pleased to see a few favorite puzzles of mine make the cut (as well as a clue for CHARLIE BUCKET that melted my brain with its cleverness).

I also enjoyed checking out many of the nominees that hadn’t crossed my path. (Here’s a link to the publicly available puzzles nominated.)

Oh, and if you’d like to make sure YOUR favorites get included next year, here’s a link for 2025 nominations for next year’s edition of the ORCAS.

Good luck to all the creative contenders and happy solving to everyone checking out the nominees!

A New Medium for Optical Illusions: Quilting?

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Optical illusions are puzzles for the eye, a visual treat that tricks you into seeing things that aren’t there. These inspired bits of perceptual trickery can fool you into thinking near is far, big is small, or two dimensions are really three.

The advent of computers has helped push the boundaries of optical illusions, with eye-catching tessellations and visual effects that confuse the eye into thinking they see moving objects or impossible figures.

This makes it all the more impressive when people can accomplish the same in a purely physical medium.

Like quilting.

People accomplish some amazing designs with quilting, like this labyrinth quilt:

The dimension in this one is fantastic. (Though the puzzle nerd in me must point out that it’s not exactly solvable. Even to a minotaur.)

And then there’s this eye-popping wonder:

I can only imagine the amount of work required to get all of those squares cut and positioned the right way to create that bulging illusion in the middle of the checkerboard pattern. Talk about ambitious!

Quilts like those above are incredible efforts. But they feel doable. They feel natural when you look at them, even as they wow you with their exacting detail.

But nothing has amazed me quite as thoroughly as this glitch quilt pattern designed by Modern Groove Quilts.

The precision and color play required to create this illusion is a mathematical wonder.

It’s literally hard to look at! My eyes keep protectively sliding away from the design just to prevent my brain from struggling with it.

It feels like my computer screen is malfunctioning.

Using a rug as a backdrop is one thing, but in the wild, where nature is crisp and clear and the quilt appears blurry, it’s a baffling visual experience.

The only thing I can liken it to? This tattoo that looks blurred but isn’t:

These artistic, handmade optical illusions really show that, computer-assisted or not, it’s the ever-evolving ingenuity of creators that keeps the world full of wonder and creative achievement.

Now everyone, go stare at something boring and rest your eyes for a while.

(Oh, and check out the other patterns available from Modern Groove Quilts!)

Happy puzzling, everyone!

Book Review: The Gamesmaster by Flint Dille

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Welcome to PuzzCulture Book Reviews!

All of the books discussed and/or reviewed in PCBR articles are either directly or indirectly related to the world of puzzling, and hopefully you’ll find something to tickle your literary fancy in this entry or the entries to come.

Let’s get started!

The subject of today’s book review is The Gamesmaster by Flint Dille.

In the late 70s and early 80s, popular culture exploded as cartoons became vehicles to sell toys and the modern blockbuster continued to rise to prominence in cinemas after the successes of Jaws and Star Wars.

G.I. Joe and Transformers, two of the most iconic franchises from the 1980s, are still influential properties today, but one name that helped craft both franchises (and many others) is probably unfamiliar to you: Flint Dille.

The Gamesmaster chronicles what Dille calls “The Geek ’80s” — aka his animation and pop culture heyday — exploring the birth, growth, and tumultuous developments behind the roleplaying game Dungeons & Dragons as well as the animated shows G.I. Joe, Transformers, Inhumanoids, and the Star Wars cartoons Droids and Ewoks.

This almost feels like a nonfiction companion book to the novel Ready Player One, since so much ’80s pop culture is explored in Dille’s stories. He gives us glimpses into the writers’ rooms of various animated shows (both the most influential and the sadly forgotten), providing what feels like an outsider’s view of Hollywood. It’s the equivalent of a fan getting a deep look behind the scenes.

But the game fans in the readership will get the most out of his journey through the offices of TSR, detailing the steady rise of D&D‘s reach and influence, as well as the incredibly turbulent interpersonal struggles amongst the writers and innovators who helped shape it. Dille generously shouts-out the contributions of fellow creators, but also shares the flip side of success, highlighting the bad luck that followed many of his friends on the TSR side of things.

And at a time where D&D itself is questioning Gary Gygax’s role and somewhat problematic legacy in the wake of the game’s 50th anniversary, Dille offers valuable insight into those crucial, formative years.

Although Dille’s not the most focused or artful storyteller — this feels more like a rambly series of conversations than a traditional autobiography — he is an immensely charming and likable narrator, happily sharing credit, admitting missteps, and celebrating the legacies he played an influential role in crafting.

The Gamesmaster offers a key piece in the often patchy, unreliable history of Dungeons & Dragons, whilst still embracing the nerdy energy that brought roleplaying, Transformers, G.I. Joe, and other celebrated franchises to prominence during the 1980s.