Midis for Minnesota Charity Bundle!

The news cycle may have moved on, but the brave people of Minnesota are still dealing with the effects of ICE’s policies, past and present.

A few months ago, puzzle and game companies united to create the No Ice in Minnesota charity bundle, which did a lot of good.

But the good fight continues, so the puzzly community has rallied once more in support of their friends, neighbors, and fellow human beings.

I’m happy to help spread the word about their latest charity endeavor…

Midis for Minnesota!

A collection of 13 midi-sized crosswords, Midis for Minnesota features a world-class lineup of Minnesotan constructors.

Across Minnesota, immigrant families impacted by ICE’s presence are struggling to afford groceries, rent, and other basic essentials. These families need urgent financial support.

Simply make a donation of any amount to one of the organizations listed (or any other organization that helps those affected by ICE’s presence), and contact the creators to receive your charity bundle.

Their goal is to raise $10,000 to support their community.

Please donate, or at the very least, share the link and help get the word out about this worthwhile cause.

The people of Minnesota have shown us the true heart of America, the power of speaking out, of organization, of standing up against the masked faces of violence, racism, and corruption, and these organizations deserve our support.

Thanks for reading today.

American Crossword Puzzle Tournament Weekend!

Good luck to everyone participating in Stamford and at home in this year’s Nerd Olympics, aka the American Crossword Puzzle Tournament!

The mix of camaraderie and competition is so unique at ACPT, and there’s a general joyfulness that permeates the entire event. (Yes, even during the dreaded Puzzle #5.)

While I was unable to attend this year sadly, I did celebrate in my own way… by constructing a puzzle for you to enjoy!

Consider this a VERY easy icebreaker to shake off any puzzly ring rust you might have before diving into the devious and delightful puzzles of this year’s tournament!

[Click here to download a PDF of the puzzle.]

This is probably my fastest turnaround ever for a puzzle, from initial idea to finished product, and I hope you enjoy.

Happy puzzling, friends and competitors! Break a leg!

Wait, that’s for actors. What’s a good luck term for cruciverbalists? Break a pencil tip? That seems like a cruel jinx to put on someone.

Possible options:

  • May all your crossings not be cross!
  • Get your fill!
  • Happy rebus hunting!
  • Grid and bear it!

Wow, those are awful. Anyway, good luck and enjoy the puzzle!

Club Drosselmeyer Invites You to a Wedding!

There are all sorts of immersive puzzly experiences available these days. Crossword tournaments, treasure hunts, escape rooms, puzzles by mail, puzzles by email, puzzles on your phone…

But nothing mixes music, art, showmanship, and puzzles quite like a Club Drosselmeyer event.

Although they’re best known for their holiday puzzle events set in the early 1940s during World War II, they’ve recently begun branching out with other themes. Last year, they hosted a Cthulhu-inspired luau event.

And this year, they’ve invited us all to the wedding of Jack and Norah:

It seems our good friends, Jack and Norah, are finally getting married. You know Jack and Norah, right? Of course you do, EVERYBODY knows Jack and Norah! They both work at Harmonics Inc. (Not the game studio, the global telecom services company founded by the Lane family. Right, that one.) Their reception will be at the W Boston Hotel downtown. They’re thrilled that you’re coming and we’re absolutely certain it will be an entirely normal wedding with absolutely no surprises at all.

The Wedding Party will have all of the Drossely, Luau-ey craziness that you love but set in 2026 — and with dinner! This wedding will have it all: wonderful food, champagne and custom cocktails, decorations, a charming bridal party, spies, puzzles, intrigue… all the best things of a totally regular normal-person wedding.

Unlike traditional Drosselmeyer shows, which are often limited to a few select weekends, The Wedding Party will run from May 1st through June 14th! You’ll have tons of chances to nab tickets for a singularly lovely puzzly event. And you can play with a group of up to six people.

It will be hosted at the W Hotel in Boston, Massachusetts in collaboration with Toronto’s Secret City Productions, and you can click here for tickets and all the details!

I cannot say enough good things about the Club Drosselmeyer team. They’re not just great puzzle designers, they put so much into the aesthetics of the event, adding music and performances and a thousand little trappings that bring their fictional world to life for guests.

A few years ago I participated in their virtual Club Drosselmeyer Interactive Radio Broadcast of 1943, and it remains one of my all-time favorite puzzle experiences.

I have no doubt The Wedding Party will be another success for this amazing team. Give them a chance, you won’t be disappointed.

One Hundred Years of The Observer Crosswords!

1913 marked the birth of the crossword as we know it, but cryptic (or British-style) crosswords have been around nearly as long as the American version!

In fact, this past Saturday — Pi Day — marked an important anniversary in the history of cryptic crosswords.

On March 14th, 1926, Edward Powys Mathers, under the pseudonym Torquemada, published the first of 670 cryptic puzzles under the umbrella of The Observer, launching a crossword dynasty that continues to this very day.

Mathers was a poet and a translator, and quite accomplished in both fields. Two years before his Observer debut as Torquemada, he was actually working for The Observer, but as a reviewer of thriller books. Apparently, he preferred to suggest how each book might be improved, rather than criticizing the book as is.

He noticed the American crossword craze crossing the ocean, but didn’t think much of them. (At the time, crossword cluing was very straightforward, consisting mostly of dictionary definitions. There was no wordplay, no misdirection, no humor. Cluing was VERY dry.)

In 1925, his first cryptic puzzles — a series of 12 crosswords where pairs of clues were rhyming couplets — appeared in The Saturday Westminster Gazette. This was where he first introduced himself to the puzzling public as Torquemada, taking the name of the Spanish Grand Inquisitor.

Well, sort of. The first puzzle was constructed for the entertainment of friends, but one of those friends took it to The Saturday Westminster Gazette against his wishes. The editors of The Gazette then managed to convince Mathers to create more. They were boldly advertised:

I recall how thrilling the green poster looked: “Crosswords for Supermen.” Alas, your tired commuter of today would swallow that first puzzle, verse and all, and correctly disgorge it between Charing Cross and Waterloo. — Torquemada, 1935

(Later those twelve puzzles were collected as “Crosswords for Riper Years.”)

After his run with The Saturday Westminster Gazette was finished, The Observer asked him to contribute puzzles to their outlet. They were called “Feelers,” as Mathers sought to widen the scope and audience of his puzzles, slowly “feeling his way” to better and more satisfying cluing.

It’s unlikely that Torquemada was the first setter to use cryptic-style cluing, but he was the first to ONLY use cryptic clues in his puzzles. But that wasn’t his only cryptic crossword innovation. He abandoned American-style grids as well, including these black bar grids:

Image courtesy of What’s Gnu? by Michelle Arnot

Apparently he was successful in feeling out his audience; no matter how difficult his puzzles seemed to many, The Observer would receive as many as seven THOUSAND correct solutions from solvers all around the world, hoping to be among the lucky few selected to win a prize. (Prizes went to the first three correct solutions opened each week at The Observer offices.) It’s estimated another twenty thousand solvers out there were regularly completing his puzzles and not sending in their solutions.

Torquemada’s wife Rosamond later recalled that solvers would thank him for helping them “rediscover forgotten beauties in prose and verse to which we might never have returned but for the stimulus of the weekly chase”.

Torquemada’s prolific puzzling and creative cluing led some to suspect that there was actually a team of constructors toiling away under a shared sobriquet, but Torquemada’s only collaborator was Rosamond. He would choose the topic/theme for the grid, providing her with a list of words to include, and she would construct the grid.

Sadly, his time shepherding cryptic crosswords came to end when he passed away on February 3rd, 1939, at the age of 46.

After his passing, Rosamond read through over thirty thousand of his clues. She found the same word used fifty times in his puzzles, and every single time, the clue was different. Fifty different clues for the same word!


The unenviable task of taking over for Torquemada fell to Derek Somerset Macnutt, who adopted the name Ximenes for his constructing career. (Ximenes, as you might expect, was the name of a Grand Inquisitor in the Spanish Inquisition who succeeded the real Torquemada.)

Taking that particular set a very high bar, a challenge that Macnutt readily accepted. He aspired to increase the vocabulary of his audience, hoping for 30 percent of the answer words in the grid to be new to solvers.

Interestingly, his interest in puzzles was inspired by Torquemada but his singular brand of cluing was more reminiscent of Afrit, aka Alistair Ferguson Ritchie, who constructed cryptics for The Listener.

Ximenes adopted a symmetrical grid — a standard which remains to this day — as well as a maximum and minimum number of unches in the grid. (Unches, for you portmanteau lovers, means unchecked squares.) He also considered some of Torquemada’s puzzles unfair, and sought to standardize cluing, ensuring each had both wordplay and definition included, even while making them more creative and inventive.

In 1966, he published Ximenes on the Art of the Crossword, which pulled back the curtain on his constructing and inspired many constructors and setters in the years to come. (One of the most famous is the setter Eric Chalkley, aka Apex, who literally named himself after Ximenes in his endeavors to “ape X.”)

He also helped kickstart the cryptic crossword movement in America. After solving some of Frank Lewis’s puzzles for The Nation, Stephen Sondheim discovered the work of Ximenes, and started to learn the ins and outs of cryptic crosswords.

He even participated in Ximenes’s weekly clue-writing competitions:

Ximenes would then judge all the clues, conferring a first prize, a second prize, a third prize, and then two levels of honorable mentions: HC (Highly Commended) and VHC (Very Highly Commended). “And you would get in the mail a slip of paper giving the winners’ names and the winning clues.”

The slip was usually four inches wide by twelve inches long. In this way, even though Sondheim was in New York City, he became part of an international community of puzzle solvers matching minds with Ximenes. “I never got past honorable mention,” he lamented, “but I did get honorable mention.”

As it turns out, Sondheim received seventeen honorable mentions, fourteen HCs and three VHCs. One of those VHCs was for the clue “Pop art panel, derived from Dada” for PATERNAL.

Later accepting the challenge of the cryptic crosswords in The Listener (which were, and are, infamous for their difficulty), he introduced them to his collaborator on West Side Story, Leonard Bernstein.

And when Sondheim and Bernstein’s creative differences got the better of each other, they would reunite over a cryptic crossword, and then get back to work.

Sondheim would go on to create cryptic crosswords for New York Magazine, starting in the late 1960s, helping to introduce American audiences to that devious and challenging variety of crosswords. He also cultivated a library of cryptic puzzles and puzzle magazines, passing part of that collection (all of his Listener cryptic crosswords up through 1984) to Will Shortz.


Macnutt passed away in 1971, but the final Ximenes puzzle, number 1200, was published in 1972. In March of that same year, stewardship of The Observer cryptic crossword passed to Jonathan Crowther, who took up the name Azed. Not only does this sound like it covers the alphabet (A to Zed), but it reverses the name of another Grand Inquistor, Diego de Deza.

He had been a solver of Ximenes’s puzzles since 1959, as well as a setter for The Listener. He also continued Ximenes’s clue-writing contest as the Azed Prize.

At this point, Azed has been setting the Observer cryptic crossword for longer than both his predecessors combined.

Also, you can’t help but love that he also sets occasional puzzles under the pseudonym Ozymandias. On his Wikipedia page, it even quotes the poem: “Look on my works, ye Mighty, and despair!”


Cryptic crosswords are alive and well. The Observer, The Guardian, The Independent, The Daily Telegraph, The Spectator, and The Sunday Times, in England, among others. The Ottawa Citizen, Toronto Star and The Globe and Mail in Canada. Harper’s in the US. Nearly every Australian newspaper has cryptic crosswords.

With Parsewords making the scene and hoping to demystify cryptic crossword cluing for new solvers, there’s no telling how many more solvers will discover or rediscover these challenging, playful puzzles.

And the folks at The Observer are marking the puzzle centenary with a special event on Thursday, March 19th!

Caitlin O’Kane (their Puzzles Editor) and Azed himself will be in attendance, alongside other crossword setters and cryptic crossword enthusiasts, to enjoy an evening of live-solving and celebration:

From the invention of the cryptic to the rise of the modern brainteaser, they’ll unpack the secrets of their craft – what makes a clue sing, how setters think, and why a good puzzle keeps us hooked. Expect lively chat, unexpected revelations, and at least one enigma that demands to be cracked.

Raise a glass, meet other aficionados, and celebrate a century of wit, wordplay and ingenuity with the people keeping The Observer’s puzzling spirit alive.

So whether you’re attending The Observer‘s Puzzle Centenary, tackling a Parseword puzzle, or trying one of the numerous cryptic crossword outlets across the world, be sure to give a cryptic crossword a chance this week and be a part of one hundred years of puzzly challenge and creativity!

Happy solving, fellow puzzlers (and setters)!


Sources:

  • The Centenary of the Crossword by John Halpurn
  • What’s Gnu: A History of the Crossword Puzzle by Michelle Arnot
  • The Strange World of the Crossword by Roger Millington
  • Matching Minds with Sondheim: The Puzzles and Games of the Broadway Legend by Barry Joseph
  • The Puzzle Edit
  • Derek Harrison’s The Crossword Centre

The Results from the 14th ORCAS Awards!

The ORCAS are the Oscars of the crossword community, dedicated to celebrating excellence in crosswords, and that was certainly the case during last night’s awards ceremony!

Clocking in at just under an hour, this was an event at breakneck speed, opening as all online award shows should: with technical difficulties.

David Kwong offered some anagram suggestions for other award shows and then passed the mic to Rich Proulx, whose bowtie game was ON POINT.

Rich’s intro was delightful, particularly when he shared that over $15,000 had been raised for the Trevor Project through the ORCAS puzzle packet!

With 97 people in attendance — including many nominees and puzzle luminaries in the chat — the first award was preceded by a tough trivia puzzle celebrating all of this year’s presenters:

After the solution was revealed, Ophira Eisenberg joined David in the hosting duties before inviting our first two guest presenters to handle BEST META CROSSWORD and BEST EASY CROSSWORD.

Aimee Lucido (author of Words Apart) read out the nominees for BEST META CROSSWORD.

I must confess that meta crosswords aren’t always my bag, but there’s no denying the skill and craftiness it takes to construct an effective meta. I ended up voting for “Blind Stitch” by Hanh Huynh because it felt like such a solidly constructed introduction to the concept of meta crosswords. It’s a great solve.

WINNER: Evan Birnholz for “Flying Colors”

“Queen of the Mondays” Lynn Lempel then read out the nominees for BEST EASY CROSSWORD.

Making easy crosswords is way tougher than it looks, and making easy crosswords that are still surprising and engaging is even harder. Despite that, this was a stacked category.

My vote went to Nate Cardin’s Untitled puzzle from the LA Times on February 25. Managing to find five phrases/compound words (OVERDRAFT, BODY WASH) where both parts could be followed by the word BOARD was an impressive feat of cruciverbalism.

WINNER: Jess Shulman for “Clear Up to Here?” (Lynn was the first presenter of the evening to do the “opening the envelope” gimmick for the winner.)

T Campbell and Laura Braunstein joined to present the next two categories.

Laura, one of the minds behind The Inkubator crossword, presented the EMERGING CONSTRUCTOR AWARD.

I sadly wasn’t familiar with all of the nominees in this category, so I had to go with someone whose puzzles I felt I’d had a good sampling of. My vote went to Carina da Rosa, whose work in Puzzmo and LilAVCX I’d enjoyed throughout the year.

And it turns out I wasn’t alone in my assessment!

WINNER: Carina da Rosa

T Campbell did a wonderful introduction about what separates BEST SUNDAY-SIZED CROSSWORD from the usual crossword fare before reading the nominees.

Despite the sheer ambition of “Just One Clue 2” and its crowd-sourced cluing, my vote came down to either the grid shape wordplay of Jonathan Raksin and Jeff Chen’s “Self-Starters” and the diabolic vocabulary in crosstina Aquafina and erik agard’s “themeless no. 36.”

I mean, we got SATAN WORSHIP and TWO CHEEKS OF THE SAME ASS, neither of which I’ve ever encountered in a grid. That being said, my deep affection for visual gimmicks in crosswords won out here.

WINNER: crosstina Aquafina and erik agard’s “themeless no. 36.”

Stella Zawistowski and Kim Vu were the next two guest presenters, with Stella handling BEST VARIETY CROSSWORD.

I love variety crosswords, because there are so many ways you can play with the traditional crossword formula to make something new and exciting. Rows Garden and Marching Bands puzzles are deviously designed masterpieces when constructed well, and this category showed off skill and cleverness in equal measure.

My vote went to a puzzle style I’d never seen before, as Ryan Faley’s “Nonplussed 4” combined across and down cluing with a non-traditional grid and a Rows Garden-style interior shape (pluses instead of blooms). I loved the construction and creativity, and the revealer was the cherry on top. Terrific stuff.

WINNER: joon pahk’s Two Outta Three Ain’t Bad

“joooooooooooooooooooooooooon” calls rang out both over the stream and in the chat to celebrate joon’s win.

Kim then read the nominees for BEST TOURNAMENT CROSSWORD.

Tournament puzzles are invariably bangers because they can push the difficulty AND creative envelopes, and this category was LOADED with heaps of cool ideas and challenges. (Last year’s Lollapuzzoola alone could have filled this entire category.)

The two puzzles that stuck with me the most were David Steinberg’s Westwords puzzle and Kareem Ayas’s Wild Discoveries puzzle from Lollapuzzoola. They were both wildly inventive, challenging, and above all else, memorable. This was the toughest choice of the entire ballot.

In the end, Kareem got my vote. And again, I wasn’t the only one impressed by his playful puzzling.

WINNER: Kareem Ayas for “Wild Discoveries”


A brief In Memoriam played next, offering tongue-in-cheek farewells to Deb Amlen (for ending her tenure with The New York Times), the Browser Crossword, and the free version of The New York Times Mini Crossword.

We then got a sincere send-off for influential creator and puzzle icon Mel Taub.

Our next two guest presenters were Peter Collins and Vic Fleming. They had a great little gimmick involving a swear jar and a virtual handover of $10 to celebrate the eventual winner of BEST CLUE (and my favorite of the nominated clues):

WINNER: [They might have “fuck you” money] for SWEAR JARS by Amie Walker and Amanda Rafkin, AVCX, April 18th

They next presented BEST THEMED CROSSWORD, which was another stacked category.

This category was a case of leading with your strongest contender, because Ada Nicolle blew me away with “Would You Let Me Finish” from Apple News+ on January 5th.

The grid is populated with longer entries that, when the last letters are removed, form the actual answers to the clues. So GOT THE ICK becomes GO-TH-IC, for example. It’s a great gimmick and a fun reveal when you get it.

WINNER: Untitled by Adam Wagner and Rebecca Goldstein


Rafael Musa, Ryan Fitzgerald, and Ben Gross then interrupted the proceedings for an interactive game with the audience. But first, they had a surprise award to hand out!

The Leviathan Award celebrates important contributions to the world of crosswords, so Ryan was blindsided by this award for creating the crossword software Ingrid. A video full of kind words from fellow constructors was played. It was heartwarming stuff.

Three instances of a puzzle game called Bracket City challenged the audience next. The goal was to unravel a series of crossword-style clues nested within each other, like so:

I doubt I was the first to solve this puzzle, but I was the first to post the solution in the chat: BLACK AND WHITE.

Work from the inside out with the brackets. [gun, as an engine] is REV, so you get [REVolving __] for DOOR, then [Friday with REVolving DOORbusters] for BLACK. [south of Spain] is SUR, so you get [flag raised in SURrender] for WHITE. BLACK AND WHITE is the final answer.

David and Ophira solved the first two puzzles live while the audience solved at home, and everyone was challenged to solve the third (and most complicated) bracket city puzzle in their free time. Can you unravel it?

David and Ophira continued the awards and presented the next category, BEST MIDI CROSSWORD.

As was the case with several categories, we were absolutely spoiled for choices when it came to midi crosswords. Crossword Gentleman Doug Peterson had a great one, we had ablaut reduplications from Alex Rossell Hayes, a tightly constructed foursome of BOOM-based entries from Amie Walker, and Peanuts grid art from franci dimitrovska.

But I had to go “By the Numbers” by Kaye Brown. The sheer ambition of a LOST-centric puzzle with character names reading across and aligning with the infamous numbers from the show. It’s a fantastic bit of constructing wizardry.

WINNER: Amie Walker for “Bangers”

Our next presenters were Brad Wilber and Mangesh Ghogre to handle the one-two punch of BEST CRYPTIC CROSSWORD and BEST VARIETY CRYPTIC CROSSWORD.

I have been on a quest to improve my cryptic crossword solving over the last few years, so the nominees in these two categories put me through my paces! The devious cluing was at its peak in the cryptics, and I think I spent more time on each cryptic than I did on any two or three of the puzzles in the other categories!

Amidst all the tough cluing and interesting vocabulary, it was Jamie Ding’s AVCX Cryptic and The Rackenfracker’s “High Definition” who got my votes this year.

WINNER, BEST CRYPTIC: PiGuyN for “pi guy cryptic 22”

WINNER, BEST VARIETY CRYPTIC: The Rackenfracker (JonMichael Rasmus & Sean Weitner) for “High Definition”

Our penultimate pair of guest presenters were Katie Grogg (looking glam!) and Jared Goudsmit. They presented the nominees and some great puns as well (and made a strong case for hosting next year’s awards).

The first award they presented was BEST CROSSWORD-RELATED MEDIA.

This is a new category for this year’s ORCAS, and as you can imagine, I was absolutely stoked to be included amidst a murderer’s row of excellent, insightful commentary on all things crosswords.

I quite selfishly voted for a PuzzCulture piece, as I was immensely proud of “The Curious Case of Richard Simon’s Aunt, Hedwig.” I didn’t expect to win, and was very content just for the opportunity for new eyes to find the blog.

WINNER: Adam Aaronson for “Square Theory”.

The chat was so chuffed for Adam, with several shouting out his post as eye-opening and game-changing. Congratulations Adam!

Katie and Jared then presented BEST CROSSWORD COMMENTARY.

I love the behind-the-curtain glimpses offered in columns like Rex Parker’s, Wordplay, and the LA Times Crossword Corner, many of whom have been commenting crosswords longer than some of the attendees have been making crosswords or solving them!

All of these nods are well-deserved — Deb and Malaika are brilliant, distinct voices in the crossworld — but it was “Malaika Handa and Stephen Lurie” by Renee Thomason that got my vote.

WINNER: Sally Hoelscher for “Terrors of the Deep”

Our final two awards were presented by Christina Iverson and the very dapper Andy Kravis. First up was BEST THEMELESS CROSSWORD.

This one was a three-horse race for me, with killer efforts by Paolo Pasco, guest host Christina, and Erik Agard, all chock-full of great vocabulary and ambitious crossings. I finally managed to narrow it to Erik’s August 18th New Yorker puzzle when it came to my vote, but really, any of these three would be worthy winners.

WINNER: Erik Agard’s August 18th New Yorker puzzle

Finally, it was time for CONSTRUCTOR OF THE YEAR.

I genuinely have no idea how you even narrow down nominations for this category, because there are SO MANY talented constructors. My shortlist would be 30 people deep, easy!

Each of the puzzles included in the Trevor Project Puzzle Pack represented the nominees well, but it was Rafael Musa and Adam Wagner’s puzzles that stuck with me the most. I loved the gimmick in Adam’s “Endless Loop,” but in the end, I went with Rafael Musa. Each time I saw that name in the byline, I knew I was guaranteed a terrific solve.

WINNER: Adam Wagner

Adam was there to accept and gave a very sweet speech, celebrating the welcoming crossword community and the support of his wife and family. Amazingly, he only started constructing in 2019!


You can’t complain about an award show that only takes up an hour of your time, especially when Oscar and Emmy broadcasts can last into the wee hours. And the crossword community is full of quirky, likable folks, so anytime you can get a bunch of them in a room (virtual or otherwise) together, you’re guaranteed a good time.

I thought it was a little weird that the games got more time than some of the categories, but this was my first ORCAS. Maybe that’s how the show usually goes!

Congratulations to all the winners! There were so many amazing puzzles published last year, and it was a pleasure to get to solve so many mind-bending, entertaining, and lovingly crafted cruciverbalist creations.

It was cool to see 5 out of my 15 selections get the nod (and a few other winners in my honorable mentions). And I’m already taking notes to contribute nominees to next year’s ORCAS!


What did you think of the ORCAS, fellow puzzler? Did your favorites win? Was there a puzzle you loved that you wish had gotten more of a spotlight?

Let me know in the comments section below. I’d love to hear from you!

The “No ICE in Minnesota” Charity Bundle!

Fuck ICE.

Hi! You might not have known my feelings, either morally or politically from reading this blog, so please allow me to get my stance out of the way bluntly and clearly.

Fuck ICE.

I’ve written about this corrupt administration’s policies in the past, discussing how they’ve affected the puzzle and game industry as it regards to tariffs, manufacturing, and so on.

And I’ve happily tried to help spread the word about puzzly efforts to organize against those and many other restrictive, harmful, and ignorant policies.

So I’m overjoyed to share another game-fueled charity effort for the betterment of this country…

The No ICE in Minnesota Charity Bundle.

Many puzzle and game companies have contributed to this bundle — featuring nearly 1500 games and downloads for tabletop games, video games, books, music, and more — and all they’re asking is a minimum donation of $10.

Their goal is to raise $100,000 for the Immigrant Law Center of Minnesota, and they’ll be collecting until March 13th.

Here is the full statement on their itch.io link:

We created this bundle to raise funds for Immigrant Law Center of Minnesota in response to the Trump administration sending ICE agents to the Minneapolis area and the reckless murder of an innocent people by ICE agents. ILCM provides free immigration legal representation to low-income immigrants and refugees in Minnesota and North Dakota.

They also work to educate the community about immigration matters and advocates for public policies which respect the universal human rights of immigrants. ILCM provides services based on capacity and has a generally high demand for services. The more we are able to fundraise, the more people they will be able to assist.

Please donate, or at the very least, share the link and help get the word out about this worthwhile cause.

The people of Minnesota have shown us the true heart of America, the power of speaking out, of organization, of standing up against the masked faces of violence, racism, and corruption, and the Immigrant Law Center of Minnesota deserves our support.

Thanks for reading today.

Oh, and one more time for the folks in the back, Fuck ICE.