Tag Archives: constructing

Delving into the BosWords 2019 Crosswords!

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I finally had a chance to sit down and try my hand at the puzzles from the BosWords Crossword Tournament last month. Given the talent involved amongst the organizers and constructors, I had high expectations, and I was not disappointed.

So let’s put those puzzles under the microscope and see what’s what!

Leading Ladies by John Lieb

This unscored opening puzzle served as a fun and pleasant warm-up, getting everyone into the puzzly spirit and ready to solve. The theme entries were five films with female leads (like CLEOPATRA, FOXY BROWN, and CAT BALLOU), and the revealer TITLE NINE nicely tied the five films together through their nine-letter titles.

With good flow and an accessible theme, this is a great confidence booster and a solid puzzle to shake off any nerves going into the tournament.

Interesting grid entries included SAMOANS, ZOWIE, DEEP-SIXED, and LANDO, and my favorite clue was “Got to square 100 first in Chutes and Ladders, e.g.” for WON.

Puzzle 1: Central Intelligence by Claire Rimkus and Andrew Kingsley

As you might expect from the first puzzle in the tournament proper, this puzzle was a fairly easy start, combining an accessible theme with interesting fill. Each of the three-letter words at the center of the theme entries spelled out a different degree one could earn, a la VET reading out in LONG LIVE THE KING.

The circles for the three middle letters in each themed entry are almost unnecessary, as between the title and the themed entries themselves, you could suss out the theme without much trouble.

(But then again, I’m a sucker for circles in a crossword grid, so I liked having them there.)

One of the theme entries was more obscure than the other three, but this was still a breezy solve to get the tournament going.

Interesting grid entries included THE UK, OBERON, SOIREE, and MASHUP, and my favorite clues were “Hacker’s problem?” for COUGH and “You don’t want to be under it” for ARREST.

[Image courtesy of SharpBrains.com.]

Puzzle 2: Don’t Strain Yourself by Ross Trudeau

Normally, you’d expect the difficulty to ratchet upward a bit for puzzle 2, but this one was pretty much on par with the first puzzle. The revealer NO FILTER explained the link between the theme entries (things like EMAIL SPAM and INSTANT COFFEE), but overall, I was a little underwhelmed by this one.

That’s not to say the puzzle wasn’t otherwise well-constructed, because it was. The longer down entries linking the themed entries were executed with finesse, and other than one tough entry (ILLINI), the fill was fair and the cluing solid.

Interesting grid entries included DOOMSDAY, TO THE MAX, IOLANI, AL EAST, and DALLIANCES, and my favorite clue was “Turns into a screenplay, perhaps” for ADAPTS.

Puzzle 3: Plus or Minus by Joon Pahk and Laura Braunstein

The increase of difficulty I was expecting in puzzle 2 arrived with gusto in puzzle 3, as the solver must figure out how to either add or remove a number from the theme entries. With the subtraction clues, it was easier, because you had the number spelled out in the entry (like STONE AGE DOOR, where the -1 in the clue indicates that the word ONE should be removed, making the more familiar STAGE DOOR).

With the addition entries, you had to get a little more creative. For instance, the entry PAT PENDING becomes PATENT PENDING when you add the +10 from the clue. It’s a clever hook, and certainly not the last time we’ll be seeing some puzzly math in this puzzle set.

Interesting grid entries included SEA MONKEYS, SQUEAK, UMAMI, and SAYSO, and my favorite clue was “Something that won’t stay hot” for FAD.

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Puzzle 4: Spill the Tea by John Lieb and David Quarfoot

My favorite gimmick from the tournament puzzles appears in puzzle 4, which took me longer to figure out than it probably should have. In this puzzle, longer theme entries are shortened by having a brand of tea contained in the answer reading down instead of across. So, HOTEL CHAIN reads HOTELCN across, because CHAI is reading down from the C instead.

This sort of visual gag in a crossword is hard to pull off, but Lieb and Quarfoot do so nicely, having five “spills” in the grid. (Cluing each tea reading down as an “Oops” was a nice touch, as was the Boston Tea Party reference in the tagline at the top of the page.)

Interesting grid entries included AP CALC, WIN BIG, UNCLE SAM and X-ACTO KNIFE, and my favorite clue was “Charlatan exposer of film” for TOTO.

Puzzle 5: Get the Picture by Paolo Pasco

The regular tournament concluded with puzzle 5, and Pasco ably brought it home with this film-centric puzzle where the theme entries all ended with synonyms for part of a film (SHOT, SCENE, FOOTAGE, TAKE, and CLIP). The theme is quickly uncovered, but the puzzle is by no means a cakewalk, as solid, creative fill makes for a more challenging solve than you expect.

There’s very little crosswordese — the grid instead focused on unusual entries in a well-constructed grid. (Heck, if Pasco had included J and X, this puzzle would have been a pangram as well!)

Interesting grid entries included SATYRS, CYBER, KAPOW, ME DAY, and GUIDE DOG, and my favorite clue was “Write this answer as EER, say” for ERR.

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[Image courtesy of @StalkingSarah.]

Championship Themeless by Finn Vigeland

After two years of championship puzzles being shepherded by the ambitious grids of David Quarfoot, Finn Vigeland steps up to the plate with a very intimidating themeless grid loaded with lots of long entries. With 3 nine-letter words in each corner and 3 thirteen-letter entries stacked in the middle of the grid, this one would probably give any solver pause at the outset, let alone those solving on stage in front of an audience.

Those long entries were bolstered by a lot of terrific crossings that made use of the open grid, making for a mostly great solving experience, save one or two specious phrases (AREN’T I?, ick).

But the impressive ones far outweigh the occasional clunkers, and Vigeland’s first championship themeless for BosWords will most likely not be his last.

Interesting grid entries included PR FARM, FUTURAMA, I CAN’T EVEN, and ARMREST, and my favorite clue was “One of a breakfast trio” for SNAP.

Bonus puzzle: Do the Math by John Lieb

Although this wasn’t an official tournament puzzle, I have to mention it because this bonus grid was my favorite in the entire set. Treating common hyphenated phrases with numbers as if they were equations, the theme entries in this puzzle required a little outside-the-box thinking to come up with the correction solutions.

For instance, “Combo from Rocky Balboa” would normally be “ONE-TWO PUNCH,” but since we’re thinking mathematically, ONE minus TWO is NEGATIVE ONE, so our themed answer is actually NEGATIVE ONE PUNCH.

The revealer DIFFERENCE MAKERS was just the icing on the cake for a puzzle that took something in plain sight and turned it on its head in a clever way. It was the perfect conclusion to a day of enjoyable puzzling.

Interesting grid entries included ELIXIR, RELAXED FIT, YIKES, and K’NEX, and my favorite clues were “Pricey place for a fan” for SKYBOX and “Improvises musically” for VAMPS.

Overall, I was mostly impressed by the array of puzzles assembled for this year’s tournament. There were tricky themes, visual themes, and math themes, all of which made great use of both the cluing and the grids themselves. Yes, one or two puzzles didn’t connect with me as strongly as the others, but the entire gauntlet of puzzles were challenging and creative in their design without being off-putting or getting too esoteric.

BosWords is probably the tournament that is friendliest to new solvers in terms of puzzle difficulty — not nearly as challenging as those at Lollapuzzoola or The Indie 500, but increasingly just as experimental and inventive — while still remaining engaging.

It’s the right mix of challenge and creativity for solvers accustomed to NYT-style solving, and I think the constructors and organizers did one heck of a job putting together the tournament.

Can’t wait to see what they cook up for us next year.

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Meet the Daily POP Word Search Constructors: Lori Boller-Tian

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One of the Daily POP Word Search app’s best features is the level of input from top-notch constructors. We’ve assembled one heck of a team when it comes to creating terrific, exciting, fresh, themed word search puzzles.

And over the next few weeks, we’d like to introduce you to some of them. Some names you may know, some you may not, but they’re all doing amazing work on these puzzles and deserve a little time in the limelight.

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For our first installment, allow us to introduce you to constructor Lori Boller-Tian, word search master, Golden Girls enthusiast, and collector of vintage cookbooks!

How did you get started in puzzles?

I’ve always been a natural list maker, and when I discovered that I could make a career out of creating lists for word puzzles, I was sold. Over eighteen years later, I’m still at it!

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What do you enjoy about working on Daily POP Word Search?

Researching topics is by far my favorite part of making Word Search puzzles. I especially enjoy researching puzzles for Daily POP Word Search because (with the exception of “Remember When”), the topics are really current. While working on these puzzles, I’ve learned about a lot of books, movies, and TV series that I probably wouldn’t have come across otherwise.

The puzzle themes are much more fine-tuned than most puzzles I create for magazines. Puzzles for magazines often have a monthly or seasonal theme, but for Daily POP Word Search, I try to focus on something happening on the exact day (or week) that the puzzle is released. For a magazine, I might create a general list about the TV series This Is Us. For Daily POP Word Search, I’ll take it a step further, doing a list on the last episode of season 3, set to appear on the app around the same time that season 4 premieres.

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Is there a particular theme day that appeals to you most or that you enjoy working on?

Yes! “Remember When” is my absolute favorite. I’m a huge fan of all things vintage, so making puzzles with a nostalgic feel is something I really enjoy. Whether it’s a toy from my ‘80s childhood or a line of kitchenware I remember from my grandparents’ ‘60s-style home, I love delving into topics that can transport me (and our solvers!) to another era.

A huge thank you to Lori for her time! Be sure to keep your eyes peeled for her puzzles in the Daily POP Word Search app, free to download for both iOS and Android users!

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How Will Shortz Works

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[Image courtesy of Lifehacker.]

Last week, Lifehacker posted the latest edition of their How I Work series, which takes readers behind the scenes and into the workspaces of all sorts of experts, scientists, creators, and pop culture icons to see how they do what they do.

And New York Times crossword editor Will Shortz stepped into the spotlight to share his average workday and what his job is really like.

It provides an interesting snapshot of a job most people know very little about. (And, sadly, thoroughly debunks the glamorous crime-solving editorial life Lacey Chabert portrayed in A Puzzle to Die For earlier this year.)

Will talks about going through submissions, editing and polishing crosswords, working on clues, interacting with his assistants, and takes us into his workplace itself, including his reliance on book sources over Internet verification. He also namedrops his table tennis club (always table tennis, never ping-pong), and gives a well-deserved shout-out to XWordInfo.com as a world-class database of NYT crossword data.

But there’s one line in particular from the interview that stood out to me, and I suspect it stood out to other puzzlers as well. When discussing the editorial process for each Times-approved crossword, Shortz stated:

“I don’t think any other puzzle in the country goes through such rigorous editing and testing before publication.”

Now, I like Will. I do. I’ve interviewed him, and chatted with him at the American Crossword Puzzle Tournament on more than one occasion. Hell, this year, I purposely lassoed him and pulled him aside so fans could grab photos with him before the tournament started AND still managed to work in a joke or two about the Crossword Mysteries movie.

But, man, there’s putting over your own product, and then there’s just stepping in it.

There are SO MANY great editors in the crossword market today. Off the top of my head, I can mention the editors at The Los Angeles Times, The Chronicle of Higher Edition, The American Values Club, The Universal Crossword, and The Crosswords Club, not to mention special projects like Women of Letters and the Indie 500, all of which provide wonderful, insightful feedback and attention to detail during the editorial process.

Sure, those puzzles might not all get the attention of ten test-solvers before publication, as Will claims each NYT crossword does. But then again, if you ignore those test solvers, as Will did in January when he used the word BEANER in a grid, that number doesn’t really matter much.

No, this isn’t always the case, obviously. Just two weeks ago, the Twitter account The Truth About Nursing praised Shortz “for allowing Howard Barkin’s description of nurses as ‘Pro caregivers, for short,’ implying expertise & autonomy. This contrasts with the 2007 clue ‘I.C.U. helper’ & the 2009 clue ‘hospital attendant’.”

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If you click through to the actual article, Howard does get the lion’s share of the thanks, as he should, given that the tweet shortchanged him a bit. But you also get more backstory on how the team at The Truth About Nursing spoke out against tone-deaf cluing regarding nurses:

Both of those clues led the Truth to protest to longtime Times puzzle editor Will Shortz. We explained to him in detail why the common misconceptions of nursing that the clues reflected were damaging, in light of the global nursing shortage and the proven influence that the media has in shaping public attitudes toward the profession… Shortz never responded directly to our concerns.

Yes, the NYT crossword gets more criticism because it is the flagship. But if you’re the flagship, you’re also supposed to set the tone, and with a track record of tone-deaf entries like ILLEGAL and HOMIE, as well as clues like “Decidedly non-feminist women’s group” for HAREM or “Exasperated comment from a feminist” for MEN, criticism is well-deserved.

The line between tooting your own horn and overplaying your hand is a very fine one, and undoubtedly, people are bound to disagree on which side of the fence this statement lands.

Some may say that Will deserves all the accolades and horn-tooting he wishes, given the subscriber numbers the NYT crossword garners. Others may take umbrage at Will seemingly dismissing the terrific work done by crossword editors around the country (with fewer resources, it must be said). I mean, Will himself mentored some of those editors!

I can’t speak for any of those editors, and I won’t. But, for me, as someone who has had the pleasure and privilege of meeting and getting to know so many of those creative, qualified, hardworking, and giving editors, methinks he doth toot a bit too much.

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And… Repeat

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[Image courtesy of Pinterest.]

I’ve had repetition on the brain lately. Repeatedly. How apropos.

I was talking about plagiarism with a friend of mine recently — a teacher who has dealt with her fair share of plagiarized essays from students — and I quickly summarized the USA Today/Universal Uclick crossword plagiarism scandal from 2016 for her.

She was understandably surprised that plagiarism was a thing in the crossword world — a thankfully rare one — and it got me thinking about intentional repetition vs. unintentional repetition.

When it comes to the Uclick scandal, it was pretty obviously intentional repetition.

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But unintentional repetition happens more often than you’d think. The very rules for creating a traditional themed crossword lend themselves toward duplication, unintentional and otherwise.

Grid layouts, for instance, get reused all the time. When I started constructing, I actually assembled a stack of different grid patterns for 13x and 15x puzzles that I could use, organized by how the theme entries were arranged on the page: 9-13-9, 11-15-11, etc.

Despite the virtually infinite number of ways you could build a 15x grid, you see, when it comes to theme entries — particularly grids with diagonal symmetry and theme entries of matching length — there’s a finite number of ways to build a functioning grid.

So, we know that grids can easily be similar, but what about themes?

There are all sorts of ways that wordplay can inspire crossword themes — anagrams, sound-alike puns, entries reading backwards or being mixed up in a grid, portmanteaus, letters being removed from common phrases (and sometimes placed elsewhere in the grid), etc. — and if more than one constructor comes up with the same idea, you could have repeated entries with no malice or plagiarism involved.

Let’s say multiple constructors are working on puzzles with a similar theme, as they would for some of the tournaments hosted throughout the year, like Lollapuzzoola or the Indie 500. If the tournament had a time theme, it’s reasonable that more than one constructor could come up with a hook like “Time Flies” and look for entries that combine travel and time, coming up with NONSTOPWATCH or LAYOVERDUE.

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[Image courtesy of DnD Beyond.]

Constructor Matt Gaffney actually wrote about a case of unintentional theme repetition for Slate years ago, discussing how he and Mike Shenk independently came up with puzzles where the word RAVEN was hidden in longer entries, and four of the five theme entries in the puzzles were the same AND placed similarly in the grid.

It’s a fascinating read that reveals a lot about grid construction, theme design, and puzzle mechanics. It’s the ultimate puzzly example of “great minds think alike.”

So, how do you avoid repeating a theme? Well, a little due diligence can go a long way. Sites like Xwordinfo and Crossword Fiend are great resources for searching theme answers to see if they’ve been done before.

Constructor Patrick Blindauer also offered some advice for coming up with new themes: solve more puzzles. He said, “Solving other puzzles is a good source of theme ideas for me. I try to guess the theme early, sometimes based only on the title; if I turn out to be wrong, I’ve got a new idea to play with.”

In this case, he avoids repetition through imagination. It’s a cool idea, one that will no doubt lead to some terrific new puzzles.

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Tackling the 2019 Indie 500 Puzzles!

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June 1 marked the fifth annual Indie 500 Crossword Tournament, hosted in Washington, D.C., by constructors Erik Agard, Neville Fogarty, Andy Kravis, Peter Broda, and Angela Olsen Halsted. The first tournament had a racing theme, the second had a prom theme, the third had a time theme, the fourth had a fashion theme, and this year was travel-themed!

While I couldn’t attend the tournament, I did download the tournament puzzles, and last weekend I finally had the opportunity to sit down and tackle them. And today, I thought I’d offer my thoughts on those puzzles, for any interested PuzzleNationers who might be considering participating in the event in the future.

Before the official tournament puzzles start, there’s a warm-up puzzle, a 15x grid entitled “Getting There” by Neville Fogarty. The hook is simple and accessible — forms of transportation found inside locations, like TRAIN in MOUNT RAINIER or BIKE in NAIROBI KENYA — and with easy fill and some fun cluing, this is the perfect puzzle to get your motor running for the tournament to come.

Interesting grid entries included I’M SORRY, AMNIO, and ONE PAGE. My favorite clue was “Org. with Magic and Wizards” for NBA.

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Photo by rawpixel.com on Pexels.com

#1 Is There a Fee for Emotional Baggage? by Angela Olsen Halsted

The tournament opens with this smooth-solving entry by the ever-reliable Halsted. Loaded with shameless puns based on locations like MYSEOULMATE and OTTAWATCHIT, this fun crossword definitely builds any solver’s confidence for the challenges to come. The effortless fill is bolstered by great references in the cluing, citing The West Wing, The Lion King, Creed, and Shonda Rhimes. I blasted through this one quicker than expected, but I still really enjoyed it.

Interesting grid entries included CARDI B, STANDBY, ACELA, and ADONIS. My favorite clues were “Potables actually first brewed in England, for short” for IPAS and “Gosling of the ‘Hey Girl’ meme” for RYAN.

#2 Jet Set by Yacob Yonas

The second puzzle of the tournament was an ambitious 17x grid with lots of long entries and solid fill overall, tied together by theme of airplane/flight terms hidden in longer entries (like TAKEOFF in TAKE OFFENSE and FLIGHT in BEAM OF LIGHT). Overall, this was a very impressive grid, though not much harder than the first puzzle, making for another fairly quick solve.

Interesting grid entries included OVER HERE, ERASABLE, FIRE SALE, FAT CAT, PEBBLES, and the delightfully slangy HATERADE. My favorite clues were “Displays of pride” for PARADES and “Take up again, say” for REHEM.

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Photo by Pixabay on Pexels.com

#3 Currency Exchange by Andy Kravis

Puzzle 3 was the first genuinely challenging puzzle of the tournament, a considerable jump in difficulty from the first two, and it takes the “word hidden in a longer phrase” gimmick to a whole new level.

The built-in ATM graphics in various grid boxes represent different currencies concealed in the theme entries; even across and down entries that share an ATM have different currencies, which is an immensely clever trick and a feat of grid construction I’ve never seen before. For instance, one ATM represents WON in SMALLWONDER and DINAR in ORDINARY.

This was easily my favorite puzzle of the tournament, and one of Kravis’s most diabolical and well-designed creations. Nicely done!

Interesting grid entries included CLAMATO, BALL HOG, END QUOTE, GAP YEAR, and PUMBAA. My favorite clues were “TV character described by Jon Stewart as ‘a fastidious, pigeon-worshiping felt tyrant” for BERT and “It’s three before November” for KILO.

#4 Travel Arrangements by Janie Smulyan

The toughest puzzle of the tournament for me (except for the final), this was a definite struggle, despite a well-constructed grid and a smart hook. The theme of this puzzle was a common phrase where the second half of the phrase was anagrammed into a form of transportation (for instance, MUSCLE STRAIN becomes MUSCLE TRAINS), tied together by the revealer TRANSFORMERS.

The anagram hook didn’t come to me quickly, making me work for every letter. Some of the clues as well, like “Japanese hog” for YAMAHA, took me an embarrassingly long time to unravel. Smulyan is clearly a devious constructor to watch out for.

Interesting grid entries included OPULENT, IBERIAN, ABSTAIN, and PIXAR. My favorite clues were “House payments” for ANTES and “Some are dry, some are magic” for SPELLS.

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Photo by Craig Adderley on Pexels.com

#5 Four Plus One by Bryan Betancur

The final puzzle of regular tournament play, Puzzle 5 was an excellent closer, rewarding solvers with a breezy solve and a fun hook centered around travel phrases with circled bonus letters that spell out the word TIRE, a spare for the four circles/wheels already in the grid. (For example, STAR TREK becomes STAIR TREK and BUM A RIDE becomes BURMA RIDE, my personal favorite.)

Interesting grid entries included BOGUS, SWANKY, WALTZ, FAKING OUT, and ROBBERS. My favorite clue was “Pixar hero or Verne antihero” for NEMO.

#6 Final by Rebecca Falcon

A very tough closer designed to challenge the worthy top tournament solvers, Puzzle 6 was loaded with tough, long entries (AUDI DEALER didn’t occur to me for ages), and I would argue that TO A T (rather than TO A TEE) is questionable at best.

Nonetheless, it was a strong closer and featured diabolical cluing in both versions of the puzzle, the Inside Track and the Outside Track. (Although I tried to solve the puzzle with only the Inside Track (tougher) clues, I needed some help from the Outside Track to complete the puzzle.)

Interesting grid entries included ONOMATOPOEIA, SAFARI, ACHOO, HOTEP, and HOOPLA. My favorite clue was “With 46-Across, comforting words” for THERE. (Since that clue WAS 46-Across, the actual answer is THERE THERE. Fun stuff.)

Although that was the end of the tournament proper, I’d be remiss if I didn’t mention one of the bonus puzzles in the packet.

The Tiebreaker puzzle by Erik Agard was super tough, but clever and impressive, considering that the grid was constructed in the shape of a 5 (as this was the fifth edition of the tournament.)

Layering lots of long entries like SPLIT A CAB, I WANT OUT, DISGRACE, MAGNETRON, LPGA TOUR, and LESOTHO, it was a brain-melter of a finale to a tournament that swung between easy and challenging and back again.

Overall, this was the most inventive edition of the Indie 500 yet. The puzzles mingled the creativity of the previous four tournaments with particularly strong grid design, cunning clues, and some fun takes on classic crossword conventions.

The constructors made the most of the travel theme, incorporating anagrams, hidden answers, and the inspired ATM gimmick in puzzle 3. All in all, this was an engaging and worthy series of puzzles, designed to delight and challenge solvers in equal measure.

I look forward to its return next year, and hopefully some of you will join me in accepting the Indie 500 challenge!

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The Indie 500 Crossword Tournament returns tomorrow!

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That’s right! Tomorrow, June 1st, will mark the fifth annual edition of the tournament! Although registration has been closed for weeks, you can participate from home for only $10! Click here for details!

Not only that, but they’ve whipped up a terrific meta-suite of puzzles to boot, and you can name your own price for it!

I expect great things from the immensely talented team of constructors and directors they’ve assembled: Erik Agard, Rebecca Falcon, Jenna LaFleur, Angela Olson Halsted, Bryan Betancur, Andy Kravis, Peter Broda, Yacob Yonas, Janie Smulyan, and Neville Fogarty. With a travel theme titled “Going Around in Squares,” topnotch constructors, and pie (there’s always pie), you can’t go wrong!

You can click here for the Indie 500 home page, and click here for a rundown of last year’s puzzles!

Will you be competing? Or participating from home? Let us know in the comments below! We’d love to hear from you!

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