The Gravity Falls Cipher Hunt!

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It’s sad when your favorite show goes away, particularly when it feels like there could have been so much more to enjoy. As someone who routinely seems to discover hidden gems on TV, only for them to vanish a season or two into promising runs, I know this better than most. (Alas, Brimstone, Now and AgainTwin Peaks, Better Off Ted, and others…)

The fans of the Disney Channel animated series Gravity Falls endured similar sadness when the show wrapped up its two-season run earlier this year. (Although it was the decision of the showrunner to end the show and not the network in this case, it was still a sad day for fans.)

From the Wikipedia article on this Twin Peaks-fueled program:

For their summer vacation, 12-year-old twins Dipper and Mabel Pines are dropped off from their home in Piedmont, California to the fictitious town of Gravity Falls, Roadkill County, Oregon to live with their Great Uncle Stan Pines (often shortened to Grunkle Stan), who runs a tourist trap called Mystery Shack. Things are not what they seem in this small town, and with the help of a mysterious journal that Dipper finds in the forest, they begin unraveling the local mysteries.

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The show was big on supernatural storytelling and puzzles to unravel, even including ciphers at the end of each episode that incorporated classic encryption techniques like Caesar ciphers, Vigenere ciphers, and others. This is pretty high-level stuff for a show that’s supposedly for kids. (Then again, plenty of adults enjoy a quality animated show, and Gravity Falls was critically acclaimed for good reason.)

In the series finale of the show, there was a brief shot of a statue of the show’s villain Bill Cipher, but it appeared to be a photograph rather than an animated image.

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Speculation immediately ran rampant as fans wondered if there was really a Bill Cipher statue somewhere.

And there was.

Cue the Gravity Falls Cipher Hunt, a world-spanning puzzle hunt launched on July 20, 2016, where fans teamed up to crack clues offered by show creator Alex Hirsch, all in the hopes of tracking down this mysterious statue.

Although the main thrust of the hunt was centered around the United States, clues appeared in places as far-flung as Russia and Japan, requiring a truly global effort of cooperative fandom to crack each mystery.

And the creator himself was astonished when the entire hunt was solved in just two weeks, as fans pieced together the last fragment of the puzzle on August 2: a missing section of parchment that corresponded to a map of a forest in Reedsport, Oregon.

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[Click here for a rundown of the entire puzzly saga.]

Awaiting the intrepid solvers was not only did the statue of Bill Cipher, but a treasure chest with messages that could only be read under black light. Also, in a truly brilliant bit of fan service, there was a sash and crown inside the chest that would anoint the wearer as the mayor of Gravity Falls! (Hirsch even went on to say that this appointment is now canon for the show!)

And, as it turns out, they found the statue just in time, as a property dispute between neighbors has led the statue to be taken in by police until the situation is resolved!

This is not only an outstanding example of real-world puzzling in its own right, but a wonderful thank you from a creator to his fans, providing one last challenge, one last story, to the people who’d most appreciate it. Nicely done, Mr. Hirsch, and nicely done, Gravity Falls fans!

[Also, nicely done to Owen, and his mom, friend of the blog Chris Begley, for bringing this story to my attention.]


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It’s Follow-Up Friday: Murder Mystery edition!

Welcome to Follow-Up Friday!

By this time, you know the drill. Follow-Up Friday is a chance for us to revisit the subjects of previous posts and bring the PuzzleNation audience up to speed on all things puzzly.

And in today’s post, I’d like to follow up on last week’s murder mystery post.

In the previous post, I gave you some of the backstory and logistics of our in-office murder-mystery event, and today, I wanted to discuss the event itself.

Our murder happened Monday night — the fictional J. Augustus Milverton Puzzlenationo would breathe his last breath near the photocopier — so Tuesday morning marked the official start of the game.

And since we’re an office full of puzzlers, the morning began with something of a logic puzzle, as the players were given a list of passcodes used to enter the building, but they needed to figure out who had used them and at what time.

You see, someone’s passcode being used at a certain time didn’t necessary mean that person was actually entering the building at that time. Someone could’ve used another player’s code. (Information involving times and identities was scattered throughout emails to all 10 participants, so it would take a fair amount of cooperation to unravel this.)

But since all of the players were suspicious of each other — which was wise, given that several “solvers” were actually following my orders throughout the event to fulfill certain tasks — the first day didn’t involve as much cooperative solving as I’d hoped. (That would come the next day out of necessity, as alliances began to form and more information was shared.)

As I fielded questions from players asking for further details — and several clues were discovered and analyzed — the first of several complications for the players was revealed: a fellow player was “killed.”

This not only upped the stakes for the players, but led to one of my favorite moments in the game. You see, when a fellow player stumbled upon the body, he wasn’t sad that his coworker was dead…he was sad because he couldn’t ask him any questions. (Though, intrepid solver that he was, he asked if a Ouija board was out of the question.)

For the rest of the day, I was fielding all sorts of instant messages and emails from players, asking for information, cashing in Holmes Tickets, clarifying things, and trying to fit the pieces of the puzzle into place. Early theories emerged. Some were wild guesses, and some were surprisingly close to the truth.

Our event played out in real time, so the players were aware that things could happen outside the workday that would impact the game. People seemed reluctant to leave, just in case they missed a clue.

Day Two opened with another red herring — punny threats sent to three of the players, delivered in envelopes that pointed to another player (a gambit by the killer to put the spotlight on someone else) — and a few secrets had already come out.

Players openly offered information to each other in a group email, which helped resolve some red herrings and put other pieces into place. More clues were uncovered, but the murder weapon remained elusive.

Lunchtime was orchestrated to be a tipping point. Not only would another murder occur, but other plans and clues would come together. I gave one of my collaborators two missions to accomplish while the players were away from their desks. Hopefully, she’d be able to accomplish both, but at the very least, she had to accomplish one of the tasks.

There were a few of these open-ended narrative moments written into the story where the players had the chance to surprise me with what happened and what didn’t. Not only did those moments make the game more fun for me to run, but it gave other players chances to really inhabit their characters and get into the performance side of the gameplay.

Lunchtime allowed for more group theorizing — something that the workday hampered, as you might expect — but the real fireworks awaited players upon their return.

A trap was sprung, and another player died unexpectedly. Although some chaos did ensue, most of the players realized this latest death was the work of another party, and several of the players solved it quickly before returning their attention to the first two murders.

In the midst of all this, two real-world complications arose on Day Two.

The first involved a player dropping out due to a mix of time constraints (she felt the game was distracting her too much from work) and general frustration with the format of the game (which, for someone unfamiliar with immersive storytelling like this, is totally understandable). I was sad to see her go, and adjusted the story accordingly, recovering a clue from her and redistributing it to an active player.

The second involved the pace of the game itself. I’d hoped to run it over the course of Tuesday and Wednesday and have it wrapped up that second day. But between the elaborate unfolding plot and the difficulty in balancing gameplay with, you know, actually getting our work done, things were progressing more slowly than expected.

That darn workday. Such a nuisance.

So the game rolled into Day Three, and players could sense the end was near. Most of the puzzle pieces were there for the taking, and several compelling theories emerged. (Honestly, one of them was better than the story I’d actually written, which was both funny and a little humbling.)

To add a bit of drama, I set a deadline of mid-afternoon. If the murders hadn’t been solved by then, the killer would escape scot-free.

Things finally steamrolled to their conclusion when the murder weapon was revealed — in the hands of a thief who had been woven into the plot — and one of the players came close enough to cracking all three murders that I declared the mystery solved. (And our ace detective did so before the deadline, so no escape for our dastardly murderer.)

It was different from any murder-mystery event I’d run before, and everyone seemed to enjoy it. There were certainly flaws in execution, as there are in any first attempt, but I learned some valuable lessons in this play-through that will make other such events in the future smoother, more satisfying, and more engaging.

Although…I hadn’t considered the potential consequences of the event on workdays going forward; everyone seems a bit more wary of each other. (And there are a few vengeful “spirits” lurking about, hoping to avenge themselves in future games.)


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5 Questions with PuzzleNation Programmer Mike O’Neil

Welcome to 5 Questions, our recurring interview series where we reach out to puzzle constructors, game designers, writers, filmmakers, musicians, artists, and puzzle enthusiasts from all walks of life!

It’s all about exploring the vast and intriguing puzzle community by talking to those who make puzzles and those who enjoy them! (Click here to check out previous editions of 5 Questions!)

For the entire month of August, I’ll be introducing the PuzzleNation readership to many of the members of the PuzzleNation team! So every Thursday this month, you’ll meet a new name and voice responsible for bringing you the best puzzle apps on the market today!

And I’m excited to kick things off with Mike O’Neil as our latest 5 Questions interviewee!

Mike is part of our dynamite programming team, maintaining the high level of quality we know PuzzleNationers expect of us and helping push us into new puzzly arenas. A musician and long-time video-game fan as well, Mike is enthusiastic, sharp, and immensely capable, part of the well-oiled machine that makes PuzzleNation a brand to watch!

Mike was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!


5 Questions with Mike O’Neil

1. How did you get started with puzzles and games?

I’ve been a video-game addict my whole life, so when I got to college I eventually decided to make them for a living. Puzzles and puzzle solving have always been a part of being a big-time gamer, so I’ve been puzzle solving since I got the gamer bug as a kid, though my favorite magazine-type puzzles are word searches.

2. Programming, puzzles, and music all demand a strong sense of balance and flow to create an immersive and productive experience. As a musician, does that ever influence your work in unexpected or insightful ways?

I would say that it’s more of the opposite, where programming has influenced my musicianship. The biggest common feature of all three is patience, so growing up solving puzzles was good training for practicing guitar.

Also, working on a piece of music can actually be like solving a puzzle because every person is different, so I often need to “solve the puzzle” to figure out exactly how I’m going to be able to pull off a particular riff/lick/lead/etc, which could be radically different from how the next person would do it.

3. What do you do in your off-time? What helps you relax or mentally recharge after a long week of puzzling?

My biggest off-time activities are video games and music, though those can all be a bit mentally challenging and not often the greatest unwinding activity. If things get really heavy I often do some urban hiking around NYC. It’s very stimulating and can last for hours (I once walked all 33 miles around the perimeter of Manhattan. My feet hated me for a week.)

4. What’s next for Mike O’Neil?

What’s next is working with the PN team to get more and more types of puzzle apps out there. Crosswords are great, but we have so much potential with our tools and team that the sky’s the limit. I’m looking forward to seeing what we come up with.

[Crosswords ARE great! Have you checked out the Penny Dell
Crosswords App for both iOS and Android devices? /shameless plug.]

5. If you could give the readers, writers, programmers, aspiring game designers, and puzzle fans in the audience one piece of advice, what would it be?

One piece of advice is to make sure that the solution you come up with for your current problem is the best one, not necessarily the fastest or most slick. When I was mentoring students back at the Electronic Arts Academy, my main goal was to make sure that they don’t start implementing solutions for simple tasks with the super fancy, super complicated-type things you do in school. A good general rule is to imagine someone has to take over your work the next day, so make sure it’s easily understandable.


A huge thank you to Mike for his time. I can’t imagine a better way to introduce a month of PuzzleNation-fueled interviews and content!

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Lollapuzzoola 9 is near!

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Saturday, August 13, marks the ninth annual Lollapuzzoola!

The marvelous indie offspring of the American Crossword Puzzle Tournament, Lollapuzzoola is a favorite of both solvers and top constructors, all of whom descend upon New York City to enjoy what can only be described as “the best tournament held in New York on a Saturday in August.” (At least, that’s what they say on their website.)

The format is simple. Three divisions — Express (experienced solvers who have contended in or won tournaments before), Local (other solvers), and Pairs (allowing you to team up to solve) — pit their puzzly minds against clever clues and crafty constructors.

And for those who reach the top of mountain, “winners in each division are awarded prizes, which could range from a box of used pencils to a brand new car. So far, no one has ever won a car.

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But if you can’t make it to NYC that weekend, worry not! There’s an At-Home Division that will allow you to participate as if you were there! You’ll get your puzzles by email the day after the actual tournament for a very reasonable $12 fee!

It’s one of the highlights of the puzzle world each year, and I’m definitely looking forward to tackling the puzzles! They’re a diabolical treat each and every year! (For a full rundown of the event, check out this interview with Local Division winner and friend of the blog Patti Varol!)

Are you attending Lollapuzzoola or solving from home? Let me know! I’d love to hear from you!


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It’s Follow-Up Friday: Carpet Conundrum edition!

Welcome to Follow-Up Friday!

By this time, you know the drill. Follow-Up Friday is a chance for us to revisit the subjects of previous posts and bring the PuzzleNation audience up to speed on all things puzzly.

And in today’s post, I’d like to return to the subject of visual puzzles.

We’re keeping it simple today. In this photo that’s been making the rounds on Facebook and Reddit, can you find the iPhone?

Let us know if you spotted it! It’s tougher than you might think!

Happy Friday!


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Interactive Puzzling is Murder on a Work Day!

[Image courtesy of Carriageway.com.]

It all started with a board game at lunchtime.

TableTop Day is a popular annual event here at PuzzleNation, and several of my fellow puzzlers enjoyed it so much that they wanted it every week. Well, we couldn’t swing that — deadlines and all — so we play games every Wednesday during lunch.

During a particularly spirited round of 10 Minutes to Kill — a game where every player controls a hitman trying to take out three targets without being identified by the other players or the police — the subject of murder mysteries came up, and I let slip that I’d helped write and run several murder mystery dinners in the past.

[Image courtesy of Vancouver Presents.com.]

So, naturally, the idea of running a murder mystery at work became a recurring topic of discussion.

As a huge fan of interactive storytelling — be it tabletop role-playing games like Dungeons & Dragons, improv theater, LARPing, or other group activities — the idea appealed to me.

Of course, I had one huge hurdle to overcome: the work day.

You see, murder mystery dinners thrive on the theatricality of the event. Attendees can overhear arguments, catch snippets of banter and exposition as they walk around, and engage characters in conversation to learn more. The more you interact with the story, the better chance you have of solving the mystery, but even passive players will get the big picture.

But in a normal workday, I can’t stage big elaborate sequences, like a failed marriage proposal or someone tossing wine in another’s face. I’d have to find another way to deliver information, mysteries, and drama.

Thankfully, as a puzzler, I’m accustomed to writing clues. Cluing is simply delivering information in unexpected ways. Whether it’s through deceptive wordplay, puns, or connections with other entries, crosswords and logic problems are excellent training for being creative and stealthy while presenting important information.

So, I mapped out the murder and the characters I’d need to pull it off, and cast those characters from a group of fellow puzzlers. At the same time, I gauged interest from other coworkers to see who’d be interested in trying to crack the case, and began devising ways to weave them into the narrative. (This was more intimate than writing your usual murder mystery dinner for random attendees, since the latter is more about creating scenes than tailoring it to specific people and circumstances.)

[Can’t have a murder mystery without an animal for someone to pet fiendishly.
In this case, my trusty armadillo in a cowboy hat, Armando.]

My goal was to get everyone prepped to play on Monday, and then actually run the mystery on Tuesday and Wednesday, with the murder having occurred overnight.

Which led to another big hurdle. I couldn’t exactly stage an elaborate murder scene in a way that was unobtrusive to the workday, so I’d have to describe the scene to the players and let them ask questions about it.

But how do I leave clues for the players that are readily identifiable as clues and not just the ephemera of a working office? After all, any good murder investigation needs some convenient clues to uncover that will help unravel the mystery.

I opted to mark any clue (which were most often color pictures of actual items, like a stashed wallet or a threatening letter) with the symbol below, to remove any doubt that this item was involved someway in the murder mystery:

Okay, that takes care of the clues. But what about the actual interaction, where players ask questions of characters and gain the valuable knowledge needed to solve the crime?

Sure, a lot of that can be done through group emails and instant messenger programs, encouraging the investigators to share what they’ve learned, so there wouldn’t be random gaggles of investigators creating a distraction as they ponder the latest clue found or deduction made.

As a storyteller, whether you’re running an RPG or a murder mystery, you not only need to know the details of your story backwards and forwards, but you need to anticipate what questions the audience will ask.

And no matter how prepared you are, I assure you, the players will ALWAYS find a way to monkey-wrench your plans, whether they approach the problem from an unexpected direction or they ask for information you hadn’t prepared in advance. There had to be a simple way to reflect this in the actual gameplay.

To deal with this, I borrowed an idea from Lollapuzzoola and created Holmes Tickets, which were catch-all requests for deeper insight or information than had been provided. Basically, anything that would require outside intervention or skills beyond that of the casual investigator could be revealed by spending a Holmes Ticket.

Dusting for fingerprints, getting ahold of a coroner’s report, uncovering information on a missing check…all of these and more were results of investigators cashing in their Holmes Tickets at various points in the investigation.

So, how did the actual murder mystery go? Well, I’d love to tell you, but it’s not finished yet! The work day proved more intrusive than expected — damn those pesky deadlines and responsibilities! — so we’re rolling into a third day of passive gameplay.

By hook or by crook, the story will be wrapped up today, and I’ll be able to fill you in more on the actual story, clues, and progression of each investigation. For now, I’ll just let you know that there are currently three bodies to account for (our killer has been busy since Monday night), and a host of theories, but no firm accusations yet.

We shall see if justice is served or if our crafty killer gets away.


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