Tag Archives: interview

5 Questions with Actress, Musician, Comedian, and Puzzler Whitney Avalon

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Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m overjoyed to have Whitney Avalon as our latest 5 Questions interviewee!

Whitney is a quadruple threat, splitting her time between acting, music, comedy, and puzzles, leaving her distinctive mark on each field. You may have seen her on The Big Bang Theory, in the Cheerios commercial during this year’s Super Bowl, or in the delightful viral video series IKEA Heights (which was secretly shot in an IKEA during working hours).

Then again, you might have seen one of her songs or parodies on YouTube, or solved one of her puzzles in GAMES Magazine. When you’re dealing with someone as creative and prolific as Whitney Avalon, you’re bound to have stumbled across her work somewhere.

Whitney was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for Whitney Avalon

1.) How did you first get into puzzles?

That I can blame, with great joy and gratitude, on my parents. My dad has worked in computers since before most people really knew what computers were, and he started me as a toddler on simple graphical puzzles (“One of these shapes is not like the other” springs to mind) and programming languages. Growing up in a family of thinkers meant I got to fall in love with wordplay, logic, and eureka moments. Lucky me!

[Whitney’s vocal chops are on display in this marvelous song about
spending too much time on the Internet, “Going Down the Rabbit Hole.”]

2.) You’re an actress, writer, comedian, and singer, but you’ve also had puzzles published in GAMES Magazine and other outlets. Do you have a particular favorite creative activity or one you wish you could devote more of your time to?

I’m one of those people fortunate enough to have always had one overriding passion (creating) who then gets to make a living pursuing that passion every day. So while the tide ebbs and flows – after all, I don’t get to choose when a TV show casts me, but I’m happy to drop everything else for a while every time one does – I love all the different ways I can make stuff that others might enjoy. I try to dedicate myself wholeheartedly to the next creative project in front of me, even and especially if it’s nothing like the one just completed!

3.) Has constructing puzzles influenced how you approach putting together videos, songs, or other visual media? Or has working in so many creative fields influenced your puzzling style?

I think spending a lot of time solving and/or crafting puzzles has, perhaps, made me more likely to strive for innovation, in that the repetitiveness of certain traditional forms might mean I’d seek more out-there options when it’s my turn to make the rules. Or maybe having a vivid imagination makes me drawn to interesting, elaborate puzzles.

I’m probably not good at analyzing my brain from inside here, but there are definitely parallels between taking the viewer on a good journey through a film or song and taking him or her on a good journey through certain puzzles – one of my published works, for example, is a 1000-word short story that not only contains a solvable mystery but also an additional layer of meta-surprise the reader will discover as it’s read.

[In this pic, Whitney displays some fantastic grayscale makeup
work and costuming. You can check out her tutorial here!]

4.) What’s next for Whitney Avalon?

More television appearances and commercials! (Including Girl Meets World on Disney Channel.) More writing! More singing! (I front pop rock band Strangely Attractive.) And, I surely do hope, more puzzles! (Most likely to appear as exclusive content in my monthly newsletter.) I can’t wait to see where the creative winds take me this year, and I’d be delighted if folks want to join me on my travels. I’ll always do my best to make you smile, laugh, and think.

5.) If you could give the readers, writers, aspiring content creators, and puzzle fans in the audience one piece of advice, what would it be?

Take a moment to ponder how improbable it is that you exist at all. Grin. Be kind. Have fun. Revel in your glorious good fortune.

Many thanks to Whitney for her time. You can follow her on Twitter (@whitneyavalon) for the latest updates, watch her videos and songs on YouTube, check out her website, and sign up for her monthly newsletter! There’s no telling what entertaining endeavors she’ll have for us next.

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Tumblr, download our puzzle iBooks and apps, play our games at PuzzleNation.com, or contact us here at the blog!

5 Questions with James Ernest of Cheapass Games

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Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m overjoyed to have James Ernest as our latest 5 Questions interviewee!

James Ernest represents Cheapass Games, a company with a brilliantly simple rationale: they know you have board games at home, so why jack up the price of their games by making you buy more dice, chips, or tokens? Their games contain exactly what you need to play the game, and describe precisely what you’ll need to scrounge up from other games in order to play.

As president and game designer, James is instrumental not only in maintaining the Cheapass Games legacy of great games for a fair price, but he’s also adept at utilizing Kickstarter campaigns and social media to communicate directly with the devoted board game and card game audience. In doing so, he’s helped introduce numerous hilarious and innovative games to the market, including:

  • Unexploded Cow: a card game where you try to rid the world of mad cows and unexploded ordnance.
  • U.S. Patent Number One: a game where you and your opponents build time machines and race back in time to register for the very first patent. [Glenn’s note: Currently out of print, but one of my all-time favorite board games.]
  • Veritas: a Risk-like strategy game where you try to become the predominant Truth in Dark Ages France while monasteries burn down around you. (Check out our full product review here!)

James was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for James Ernest

1.) For nearly two decades now, the Cheapass Games brand has been synonymous with affordable games with tongue-in-cheek humor and high replay value. How do you know when a game is right for your brand? What role do you play in bringing these games to market?

I’m the designer as well as the publisher for Cheapass Games, so I play nearly all the roles. I try to create products that fit into that format. When I make something that doesn’t fit the format, I often look for other ways to bring it to market, such as finding another publisher, or using a separate imprint under Cheapass Games.

For a while I used “James Ernest Games” as an imprint for my higher-priced games, though I currently release everything as Cheapass. I also used the “Hip Pocket” brand for smaller, more abstract games, and that one will be coming back next year.

2.) Many of the games in your library rely on a combination of strategy and step-by-step chain thinking, both skills most puzzle enthusiasts have in spades. Are you a puzzle fan? And what about that style of gameplay appeals to you?

The challenge in creating a strategy game is to make a puzzle with variety, so it can be replayed without getting dull. Part of that variety comes from rules that can give rise to meaningfully different game paths, and part of it comes from the interaction of players with different strategies.

As you’ve mentioned, I also like games to have stories, and that works in a similar way: the story has to be open-ended enough that it can proceed differently each time. The game is more like an environment where the players tell their own stories, rather than a way to tell a linear story. This is obvious for RPGs [roleplaying games] but I think it’s true for other games as well.

3.) You’ve created games of your own as well as helping others bring their games to life. What puzzles and board games, either in gameplay or in the experience of producing them for sale, have most influenced you?

I learned a lot about game construction from playing and working on Magic: the Gathering. A lot of my games have decks of different card types, balanced to produce the right mix of hands, based on my experience doing deck construction in Magic.

I also draw a lot of my approach to games from Pitch, which is a cutthroat trick-taking game. In a nutshell, you can choose different strategies in that game, either to play conservatively and win slowly, or to take risks and have the potential to win quickly or move backwards. Neither of those strategies is dominant and that makes the game good. Of course I also play a lot of poker, which contains similar choices.

4.) What’s next for James Ernest?

My next project is Pairs, a “New Classic Pub Game,” which I will be Kickstarting in February. After that, I have a couple of older Cheapass Games that I want to bring back into print. And I’m working on a new tabletop miniatures game called Cagway Bay, which is pirate-themed and diceless. I have a number of new game projects as well, but right now I’m not announcing any of them because I can’t be sure when they will be ready.

5.) If you could give the readers, writers, aspiring game designers, and puzzle fans in the audience one piece of advice, what would it be?

If you want to create things, there is no substitute for practice. Don’t just read about games; don’t just play them. You have to make a lot of games.

Many thanks to James for his time. You can check out the latest news from Cheapass Games on their website — including their upcoming Kickstarter campaign for the game Pairs! — or follow James on Twitter (@cheapassjames). I cannot wait to see what he and the great folks at Cheapass Games come up with next.

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Tumblr, download our puzzle iBooks and apps, play our games at PuzzleNation.com, or contact us here at the blog!

5 Questions for Director and Editor David Rogers

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Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m overjoyed to have David Rogers as our latest 5 Questions interviewee!

An Emmy-award-winning editor, producer, and director, David has worked on NewsRadio, Seinfeld, Entourage, and The Office (as well as the sadly short-lived but very funny shows Andy Richter Controls the Universe and The Comeback).

During his time on The Office, he edited 60 episodes and directed 9, including the funniest episode of the show’s final season, “A.A.R.M.” He’s currently contributing to The Mindy Project, which is in its second season on Fox.

David was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for David Rogers

1.) You’re both a director and an editor for The Mindy Project, which means you play a significant role in taking disparate scenes and shots and assembling them into a cohesive, entertaining whole. Sounds like just about the ultimate in real-life jigsaw-style puzzle solving. What goes into the production of a given episode, and what are your thoughts as you prepare it for air?

I think the process of putting together any episode of any television show is more like solving a puzzle than anybody watching at home actually realizes, and The Mindy Project is a perfect example of this. From the moment the writers start on a script, they have to be conscious of who is currently doing what and what has happened before, and what’s going to happen down the road. Once the script gets into the hands of a director and the production staff, then more puzzle solving begins.

You break it down and start scouting locations and casting guest stars and then the first ADs (Assistant Directors) put together a shooting schedule. But they have to build it in a way where they can accommodate actors’ availabilities, place locations on a day where we can get the most done, and they also have to be aware of “turnaround issues” for cast and crew, that is whenever we wrap on one day, the cast and crew get a certain amount of time off before the next day’s call time.

An example I’ll give is when I directed “Bro Club For Dudes,” we shot two days, Thursday and Friday, of a Mixed Martial Arts Arena fight down at Hollywood Park. But we had a cameo from Dana White, the president and owner of the UFC, but he was only available Tuesday morning and we didn’t have the location for that day.

So we shot at another location that looked like a dingy hallway that looked like it was a part of our arena, and we also shot a street fight in the loading dock there between Morgan and Ray Ron, and since they were near our stages at the Universal lot, we finished a little after lunch and then came back to our stages and shot more there.

Another example was Adam Pally, who really kicked ass in his fighting scenes, wasn’t available to shoot on the following Monday and we had a hospital room scene of he and Mindy bonding as she stitches him up. Our solution was to build a small three-wall set at our Hollywood Park location and shoot the scene at the end of Friday night.

As an editor, you’re getting multiple takes and different jokes and plenty of alternate lines and performances, and you really have to sift through everything to figure out what’s the funniest, what’s the best, and how do they all connect together to make a cohesive story. It just takes time and building different versions until you see what truly works the best.

And in the process of cutting out time and sharpening the story, you move scenes around, add and change lines with additional dialog recorded later, and there are lots of other elements that come into play including music, sound FX, and what we call “invisible” visual FX that all help make the show we want to make.

[David with his Emmy Award for Outstanding Single-Camera Picture Editing for a Comedy Series (one of two he’s won for The Office!)]

2.) You’re a big fan of comic books. What influence does that sort of long-form serialized storytelling have on your approach to TV production?

I am a huge fan of comic books and have been ever since I was 5 years old and got my first “The Brave and the Bold.” It’s interesting that when I was younger I was all about the art, and as I got older it was all about the writing and the art didn’t have to be from John Byrne or George Pérez or Neal Adams. But when you read a comic book, you’re really watching a TV show or movie in your head. You’re “casting” voices for the different heroes, you’re imagining what the action scenes and explosions are like, and you’re giving life to still images on a page much like a director uses a set of storyboards.

And that’s the part of a comic book where even if the artist isn’t a favorite like the ones I mentioned above, their work is still essential to what makes the comic book a living, breathing thing. There are these great examples given in How To Draw Comics The Marvel Way, where John Buscema and Stan Lee demonstrate two different pages of art work for the same material. One is fine and gets the story across, but the other is so much more exciting and dramatic and really puts you into the action — and that’s what good directors are constantly aware of when they’re shooting a scene.

What is visually better for the material? What adds to the humor or the drama or the action? And in TV where the schedule is so tight and the budget is always being looked at, what can you do with the tools and time that you have?

I came from The Office, where we were limited with how to shoot scenes because of the hand-held documentary style of the show, but we would still focus on things like shooting it spy or in the room, cross-covering with two cameras, or whipping around with just one, and really blocking positions and making the most of what our shots looked like without them looking like they were set up.

In the penultimate episode “A.A.R.M.,” I directed a scene where Dwight runs Angela off the road and then proposes to her with a bullhorn as traffic goes by in the background. The shots included a go-pro camera set up in Angela’s car where we would see Dwight pull alongside of her as they both “free-drove” — that’s when the actors are really driving the cars.

Meanwhile we get a “boat to boat” shot, where a free-driving process trailer — a truck made for rigging cameras and lights — leads in front of them with two cameras shooting straight back to cover the action. The shot from inside Angela’s car shows their faces very clearly as the scene plays and really brings out the comedy of the situation. Then from the outside, our Stunt Driver Dwight cuts off and runs Stunt Driver Angela off the road and this shot really highlights the action and danger of the stunt.

When we get to the next part of the scene and the cars are on the side of the road, we blocked the actors and cameras in a way so that when Dwight is tender and heartfelt (and yet proposing with a bullhorn), we can see the noisy cars going by on the street behind them, which adds to what should be a very intimate and yet very comedic marriage proposal.

Choosing how to shoot and compose a scene like that, and then executing it is absolutely like putting together a gigantic, complicated, wonderful puzzle!

3.) I understand you’re also a classic television automobile enthusiast. What can you tell us about that?

I don’t know if I’m so much a classic television automobile enthusiast as I am a Super Car enthusiast. I love the Mach 5 from Speed Racer, the DeLorean time machine from Back to the Future, the 1966 Batman television show Batmobile, Herbie the Love Bug, and of course K.I.T.T. from Knight Rider. I just bought a full sized Trans-Am Firebird replica of K.I.T.T and I’m in the process of adding a Season 4 1-TV dash and really making the interior look like the car did on the show. It’s a fun side project and it’s something I’ve wanted since even before I could actually drive!

4.) What’s next for David Rogers?

I hope to continue editing. directing, and producing on The Mindy Project, which I really think is an exceptionally funny, very high quality, well-made show. I am also starting to develop some of my own ideas for TV shows as I look to direct more things down the road, including hour-longs and maybe even an independent film.

5.) If you could give the readers, puzzle fans, and aspiring TV and filmmakers in the audience one piece of advice, what would it be?

Persistence. Never give up and always work on your skills. So often getting the first job is really all about being in the right place at the right time. And you have to be ready to deliver when the pieces all come together and the time comes for you to step up and show everyone what you can do!

Many thanks to David for his time. You can see his work on The Mindy Project, which airs on Tuesdays at 9:30 P.M. Eastern on Fox, and be sure to check out his full filmography on his IMDb page. I can’t wait to see what he crafts for us next.

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Tumblr, download our Classic Word Search iBook (recently featured by Apple in the Made for iBooks category!), play our games at PuzzleNation.com, or contact us here at the blog!

5 Questions: Alumni Edition

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Undoubtedly one of the most popular features on the blog in 2013 was 5 Questions, our interview series featuring puzzle constructors, authors, filmmakers, game designers, puzzle enthusiasts, and creative people in general whose work and play relates to puzzles.

As 2013 was winding down, I reached out to our 5 Questions alumni to catch up and ask them what they’d been up to since appearing here last. (Or when I’m not pestering them for crossword construction advice or New Year’s Resolutions. *laughs*)

And so many of them were happy to share their latest projects with the PuzzleNation audience!

Author Robin Sloan’s marvelous novel Mr. Penumbra’s 24-Hour Bookstore is out in paperback, and the prequel story Ajax Penumbra 1969 is available as an eBook. I asked him about what he’s been doing, and his answer was brief and exciting:

Let’s see… I’m hard at work on a new novel!

That’s about it 😀

Can’t wait to see what he’s got in store for us next.

[Click here to check out Robin’s session of 5 Questions, as well as our book review of Mr. Penumbra’s 24-Hour Bookstore here.]

Great Urban Race Senior Manager Jordan Diehl was also happy to bring us up to speed on what the GUR crew has been up to:

We just finished a successful Championship event in San Juan, Puerto Rico. It was our first time outside of the continental US, and the race was really well-received. Like in years past, a total of $10,000 was given out, but this year it was divided among the top 8 teams as opposed to years past where only first place received cash prizes.

The division of prizes will remain as we enter our 2014 season:
First place: $6,000
Second place: $2,000
Third place: $1,000
Fourth – Eighth place: $200 each

And speaking of, we are excited that our 2014 season is just around the corner!

We’ve consolidated our schedule for 2014; our first event is in late January and the last regular-schedule event of the season will be June 7. This leaves us room for another new Championship location in a potentially colder climate that we could not typically do in November/December (the usual dates of our Championship) as we are looking at an August/September Championship date.

Here at Great Urban Race, we’ve decided that 2014 is the “Year of You,” and we are focusing on listening to participant feedback more than ever. We put out a vote for Championship locations as well as several other campaigns like it through our social media pages.

[Be sure to check out the Great Urban Race website for more details, and click here to read Jordan’s session of 5 Questions.]

Kathy Matheson (a.k.a. puzzle blogger Crossword Kathy) had some interesting news to share, not only regarding her puzzle-constructing aspirations, but interacting with the PuzzleNation readership as well!

After the 5 Questions interview appeared, I was pleasantly surprised to get feedback from a couple of your readers! One is a fellow journalist here in Philly — I recognized his byline but have never met him, and didn’t know he was a puzzler, too. He told me about a local constructor he interviewed a few years ago, when she was 95! Now she’s about to turn 100, and he said she’s still making crosswords. Amazing. I hope to write a story about her myself, somehow tying it in to the just-passed centennial of the crossword.

The other person who contacted me is a constructor I admire who very kindly offered to help with my grid-building dreams. Part of me really wants to take him up on the offer, but part of me is very independent and wants to do it alone.

The truth is that I haven’t spent as much time constructing as I should, so perhaps I should do more of that before asking for help. I did send the L.A. Times one of my puzzles, which was rejected by a very nice note saying that “there’s some good work in your grid, but the theme puns are too stretchy” for their taste. Oh well.

[I have no doubt we’ll be seeing Kathy’s name in a puzzle byline in 2014. Click here to check out her session of 5 Questions!]

Puzzle poet Peter Valentine regularly posts his latest creations on Twitter and Tumblr — I’ve posted his poem “Birthday” for the 100th Anniversary of the crossword above — and has recently added another social media platform to his arsenal.

I’ve started an instagram feed, @peterboothby, which helps to reach many more folks and generate discussion.

[You can check out the full archive of his poems here, as well as his session of 5 Questions here.]

As you might’ve expected, constructor and puzzle historian David Steinberg has kept himself very busy between his own crossword construction and his work on the Pre-Shortzian Puzzle Project, which recently passed the 14,000 puzzle mark!

On December 21, the crossword centennial, I gave a talk at the Palos Verdes Peninsula Center Library on crossword history, the Pre-Shortzian Puzzle Project, and crossword editing, solving, and constructing. Also, I constructed a special centennial puzzle for the Focus page in The Orange County Register.

[Check out The Orange County Register, where David serves as crossword editor, as well as his session of 5 Questions here.]

Prolific constructor Robin Stears has been puzzling up a storm since last we spoke.

The dust has settled from the 100th anniversary celebrations, and of course, the other holidays took up some time, but I’m ready to get back to work. My daughter took pity on me and spent a day fixing my Tumblr blog so that it’s easier to find, sent out messages to all my Tumblr followers, and helped me set up a Tumblr-exclusive giveaway (to make up for my ineptitude). She even tweaked it for the holidays!

I’m starting off the year with a 21×21 StearsWords puzzle entitled “Things to Look Forward to in 2014.” There’s so much to look forward to, it needed a giant-size puzzle.

The Trivia Challenge puzzles seemed to be popular, so there will be more of those. I’ll continue to invite social media fans to send me their ideas and watch them come to life–a Reddit fan suggested “Doctor Who,” a Tumblr fan is responsible for the “Game of Thrones” puzzle, and a Facebook fan challenged me to do a “420” puzzle; clearly, I’m open to just about anything. (Someone asked me to do a cryptogram/crossword, where solvers have to decipher the clues, and then solve the puzzle. It sounds like a lot of work, but also a lot of fun; it also sounds perfect for a contest.)

Naturally, I’ll be keeping a close watch on what’s hot, just in case there’s another “Sharknado”-like event that begs to be immortalized in crossword. And solvers will still find the majority of my work in Penny/Dell puzzle books. They’ve been printing my puzzles for over twenty years, and I’m a huge fan of their puzzle books, as evidenced by the ginormous stack of Good Time Crosswords in my office.

[You can also join Team StearsWords by clicking here, and check out her session of 5 Questions here.]

As you might expect, David L. Hoyt has been busy. The most syndicated man in puzzles continues to produce his signature Jumble puzzles, but he also has a new puzzly product to share.

Just 2 Fun (pictured above) is David’s latest creation and his first app for younger players (ages 9 and up). The app is available for iPad, iPad mini, iPhone 4 and 5 and iPod touch devices. Just 2 Fun is a kids’ version of the enormously successful puzzle app Just 2 Words.

[You can explore all of David’s puzzly creations on his website, and check out his session of 5 Questions here.]

Even our latest interviewee, New York Times crossword editor Will Shortz, had something to share with us in the few weeks since appearing on the PuzzleNation Blog.

You may recall him mentioning his favorite pastime:

At the moment I’m close to finishing a personal goal — to play table tennis every day this year. As I write this (on Dec. 17), I’ve played every single day since Jan. 1 — 351 days in all.

I’m happy to report that Will did in fact complete his 365 days of table tennis for 2013, even throwing a party to celebrate. (I suspect New Year’s Eve may have also contributed to the festivities.)

[Check out Will’s contributions to NPR’s Weekend Edition here, as well as his session of 5 Questions here. We hope to have more information on his new puzzle magazine Will Shortz’s WordPlay very soon.]

Thank you to all of our 5 Questions alums! They helped make 2013 a banner year for PuzzleNation Blog, and as we head into 2014 with new interviews to come, I promise to keep you posted on everything these brilliant puzzly folks are up to.

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Tumblr, download our Classic Word Search iBook (recently featured by Apple in the Made for iBooks category!), play our games at PuzzleNation.com, or contact us here at the blog!

5 Questions with Puzzle Master Will Shortz

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Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m overjoyed to have Will Shortz as our latest 5 Questions interviewee!

Without a doubt the most famous name in crosswords today, Will Shortz is the crossword editor for the New York Times, a position he’s held since 1993 (after putting in time with both GAMES Magazine and our friends at Penny/Dell Puzzles). In his time as editor, he’s been credited with spearheading a sharp decrease in crosswordese in Times puzzles, as well as offering a greater level of visibility and acknowledgment for individual constructors.

He continues to serve as the amiable face of crosswords across all forms of media — on the radio with NPR, on television in The Simpsons and How I Met Your Mother, and in theaters with the documentary Wordplay. (He even provided the Riddler’s puzzle clues that so bamboozled the Dark Knight in the film Batman Forever.)

But solvers interested in puzzles beyond crosswords will also have a treat in store for them in 2014! The folks at Penny Press have teamed up with Will to create Will Shortz’s WordPlay, a magazine featuring crafty variety puzzles and crossword variants created by some of today’s top constructors.

Will was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for Will Shortz

1.) As the world’s first (and only) degree-holding enigmatologist, was becoming the editor of the New York Times crossword always a goal you had in mind, or did you foresee yourself doing something else with your singular degree?

Since childhood I’d always planned a career in puzzles, just not as crossword editor for The Times. In fact, I didn’t envision a career with crosswords at all. I imagined myself in an attic or a tiny house somewhere making novelty puzzles and sending them out for publication — probably living in poverty, but doing what I wanted. I fell into puzzle editing without a lot of planning.

But I do have a law degree from the University of Virginia (J.D., 1977), so if puzzles ever end up not working out for me, I always have that to fall back on!

2.) The hundredth anniversary of the crossword is fast approaching. Given your familiarity with puzzles both past and present, what does the hundredth anniversary mean to you? And where do you think puzzles will be a hundred years from now?

I’m not good at predicting the future. But I will say that crosswords are the best and most flexible form of puzzle ever devised, because they involve language (which we all use) and connect with virtually everything in life. They can be made easy or hard, small or large, tricky or straightforward, topical or of general interest. There’s a crossword for everyone and every mood.

Also, there’s something very appealing about filling empty squares. As humans, I think we like to fill empty spaces, and doing that in a crossword seems to satisfy some elemental human need. Even if print media die someday, I think crosswords will probably exist forever in one form or another.

[Here, Will and constructor Merl Reagle appear with the Simpsons in a
promotional pic for the episode “Homer and Lisa Exchange Cross Words.”]

3.) I could ask you how far in advance you choose puzzles for publication (considering the Times’ famous incremental rise in difficulty throughout the week), or inquire about your work as NPR’s resident puzzle master, but to be honest, I’m more curious about what you do when you’re NOT doing puzzles. What other activities or hobbies do you enjoy?

As friends know, I’m almost as fanatical about table tennis as I am about puzzles (emphasis on *almost*). I own my own club — the Westchester Table Tennis Center, just north of New York City. It’s one of the largest table tennis facilities in North America, and I believe it’s the nicest (which I say having played in almost 200 clubs in 43 states and two Canadian provinces).

At the moment I’m close to finishing a personal goal — to play table tennis every day this year. As I write this (on Dec. 17), I’ve played every single day since Jan. 1 — 351 days in all. And I’m filming myself every day as proof. At the end of the year, if I succeed, some friends of mine in Hollywood have promised to edit a 3- or 4-minute video of me playing every day, which I’ll throw up on YouTube.

My ultimate goal is to become national table tennis champion for my age.

4.) What’s next for Will Shortz?

No plans for anything else. I love what I’m doing. I’ve been the crossword editor of The Times now for 20 years, overseer of the U.S. team for the World Puzzle Championship for 22 years, puzzlemaster for NPR’s “Weekend Edition” for almost 27 years, director of the American Crossword Puzzle Tournament for 36 years, and program director for the annual convention of the National Puzzlers’ League for 38 years. That’s plenty to keep me occupied.

5.) If you could give the readers, writers, and puzzle fans in the audience one piece of advice, what would it be?

I have two goals in life: One, to make the world a little better for being here. And Two, to enjoy myself. I think that’s a good philosophy for anyone.

Many thanks to Will for his time. You can follow him on Twitter (@Will_Shortz) and listen to his NPR appearances on Weekend Edition here! And keep your eyes peeled for the first issue of Will Shortz’s WordPlay, which will be hitting newsstands in February!

Oh, and I suppose you could always check out the New York Times Crossword, if you’re so inclined. =)

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Tumblr, download our Classic Word Search iBook (recently featured by Apple in the Made for iBooks category!), play our games at PuzzleNation.com, or contact us here at the blog!

5 Questions with Magician and Puzzle Constructor David Kwong

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Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m excited to have David Kwong as our latest 5 Questions interviewee!

Puzzlers by nature play with words, but none quite like David Kwong, a top-flight puzzle constructor and magician. Adept at sleight of hand and wielding a flair for puzzle constructing that makes me very jealous, David crafts illusions and puzzle grids with equal deftness, often doing so in front of a live audience!

In addition to his own creative endeavors, David serves as a magic consultant for film and television, and has contributed to The Mindy Project, The Incredible Burt Wonderstone, and most notably, the magic-infused heist thriller Now You See Me.

David was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for David Kwong

1.) How did you get started with puzzles?

My mother and I always bonded over being word-nerds. When I was a child, we would play Scrabble and solve crosswords. After college, I began writing crosswords with my friend Kevan Choset (I suppose I was jealous of his James Bond themed puzzle). Our first puzzle was the April Fool’s Day puzzle in 2006. I think we waited three years for it to get published!

[Glenn’s note: The James Bond puzzle refers to one of Choset’s earliest, where “007” not only appeared in the grid, but crossed “SEAN CONNERY.” The April Fool’s Day puzzle refers to a Choset/Kwong collaboration that actually required the solvers to write the word “THINK” outside the box (grid) four times.]

2.) Magic and crosswords might seem like separate enterprises, but they both involve a whimsical sense of playing with your audience’s expectations (magic with misdirection, crosswords with clever cluing and wordplay). What about magic and puzzles so appeals to you?

You nailed it. Magic and crosswords both involve misdirection, surprises and toying with conventions. Take for example if I were to vanish a coin, I would place it in my hand three or four times plainly before secretly feigning its placement on the fifth time. Magicians allow their audiences to become familiar with what is “normal” so that the “abnormal” goes undetected (or rather looks the same).

A crossword that toys with the rules of the puzzle operates much in the same way. The constructor leads solvers down a path of what seemingly looks like a normal puzzle, and then suddenly hits them with a twist.

(Check out this short video, which highlights David’s whimsical fusion of magic and crosswords.)

3.) What types of puzzles and feats of magic are your favorites or have most inspired you?

I love puzzles in which the twist hinges on the everyday words and phrases that we’ve come to expect as solvers. Ashish Vengsarkar had a great puzzle in which “Start of Quote” and “Part 2 of Quote” were revealed to be BRITISH WAITING LINE and SECOND PERSON SINGULAR.

Also, I know it’s been referenced a million times, but the BOB DOLE / CLINTON puzzle is the ultimate example of misdirection in a crossword. There’s no better way to misdirect your audience before the final reveal than to have them think the trick is over!

[Glenn’s note: David is referencing the famous New York Times puzzle that appeared the day before the 1996 presidential election, a puzzle that famously offered either “BOB DOLE ELECTED” OR “CLINTON ELECTED” as an answer depending on how the solver filled in the grid.]

My favorite magic tricks are the ones in which the subterfuge is taking place right under the spectators’ noses. As performers, we call these “bold” moves and take a particular delight in executing them effectively. Often this means no intricate contraptions, no smoke and mirrors — just a strong ability to misdirect. There’s a routine called “card under the glass,” which illustrates this concept. The performer declares, “I will again and again place your card underneath this glass. See if you can catch me.”

And the audience never stands a chance.

4.) What’s next for David Kwong?

“Now You See Me” was such a big hit that we’re making a sequel. There are a number of Houdini projects in the works as well. I’ve also consulted recently on “The Imitation Game,” which is the story of Alan Turing and Bletchley Park cracking the German enigma cipher machine. There’s a great line in that script: “[Alan,] you just defeated Nazism with a crossword puzzle.”

5.) If you could give the readers, writers, puzzle fans, and magic lovers in the audience one piece of advice, what would it be?

Magic and puzzles are both forms of storytelling. If you’re creating magic tricks or constructing puzzles, think about how you can take your audience on a journey, even if just for a few minutes. Play into their expectations and hit them with twists and turns.

Finally, look for fresh combinations of seemingly unrelated things. You might be surprised that their cross-pollination can yield something innovative and original. Who would have thought that magic and puzzles could be synthesized?!

Many thanks to David for his time. You can learn more about David and his ever-expanding filmography on his website, DavidKwongMagic.com, and be sure to follow him on Twitter (@davidkwong) and Facebook (facebook.com/dkwongmagic) to see more of his mystifying exploits.

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Classic Word Search iBook (recently featured by Apple in the Made for iBooks category!), play our games at PuzzleNation.com, or contact us here at the blog!