Let’s Make Our Own Crosswords, Part Two: Advice!

On Tuesday, I posted an introductory how-to for creating your own crossword puzzles. All of the advice and guidance was based on my own constructing instincts and work I’ve done over the years.

But I’m just one puzzler, and I figured why not reach out to other constructors and editors in the puzzling community and see what helpful suggestions they had for aspiring puzzle constructors.

So today, I put you into the good hands of professionals and topnotch puzzlers, as they walk you through the do’s and do-not-do’s of crossword construction. As constructor Ian Livengood said, “it’s more art than science,” but with the advice of established constructors in your pocket, you’ll be off to a great start.

And as it turns out, they’ve got plenty of worthwhile nuggets of advice to offer! In fact, they had so much to say (and I wanted to include so much more!) that I’ve broken up the advice by topic and put each one on its own page. Just click on the links below to take you to a treasure trove of puzzly wisdom!

Good luck, my fellow puzzlers!

And thank you to David Steinberg, Robin Stears, Ian Livengood, Rich Norris, Patti Varol, Doug Peterson, and Eileen Saunders for their masterful advice!

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, cruise our boards on Pinterest, check out our Classic Word Search iBook (recently featured by Apple in the Made for iBooks category!), play our games at PuzzleNation.com, or contact us here at the blog!

How to Make a Crossword: Choosing a Theme

“Themes are the hardest part of the construction process. Filling the grid and writing the clues takes perseverance, but coming up with a theme requires that elusive spark of inspiration.” — constructor Doug Peterson

This sentiment was echoed by other constructors I spoke with. Crossword guru Eileen Saunders said, “The hardest part of constructing a puzzle (for me) is coming with the theme. After that, everything else seems to fall into place.”

Los Angeles Times Crossword Editor Rich Norris and assistant Patti Varol: “Originality is an important element of a good theme, but sometimes originality means lively themers in a chestnut gimmick or a clever spin on familiar wordplay.

“Originality, themewise, is not always ground-breaking, or innovative, or even original. A good theme always has sparkle, with lively, idiomatic phrases that will resonate with a majority of solvers.”

New York Times Crossword constructor Ian Livengood discusses how to choose theme entries: “Once you think of a potentially good theme, it’s vital to see if something similar has been done before. What’s the point of having databases, right? If the theme looks interesting and relatively new, you must make sure the theme is consistent.

“For example, if you are doing two-word phrases that start with the letter P and you’ve got PLEDGE PIN, PARK PLACE, PLUM PUDDING, PINK PANTHER and … PARAKEET, that’s a problem. The single word breaks the pattern and confuses solvers. So consistancy and freshness is very important.”

Rich and Patti also mentioned consistency and balance as critical elements of a good theme. “One odd entry can ruin an otherwise great idea: a themer that ends with the theme’s key word when all the others begin with it, a stray plural in a set of singular phrases, a noun phrase in a group of verbs, a song title in a set of movie titles, a rhyming pun in the mix with spelling-change puns.”

I think I’ll give Doug the final word on coming up with a theme for your puzzle. “If you think a theme entry is humdrum or doesn’t quite fit with the others, it’s time to put your brainstorming cap back on. Remember, your first job is to entertain the solver, so make that theme sparkle.”

How to Make a Crossword: Grid and Fill Advice

When it comes to grid building, constructor Ian Livengood considers it “perhaps the most important aspect of construction.” And since building a grid and placing your theme entries goes hand-in-hand, I’ve opted to combine them into one section.

Ian continues, “Try to avoid a pileup of black squares and 3-letter word concentrations. Once you put the theme answers in the grid, manipulate the black squares to avoid any potential trouble spots. Trouble spots are letter patterns that are highly unusual, and therefore, difficult to fill. If, for example, you have the letter sequence ??DK? in a puzzle, the only acceptable fill is VODKA. Well, you better make sure VODKA will work in the surrounding area, otherwise you’ll have to start over. It’s always better move blocks around before trying to fill the puzzle.

“After locking in words with unusual letter patterns, place your longer non-theme entries in the puzzle. You must make these entries ‘pop.’ That is, they really should be interesting. HATCHET JOB or THE JIG IS UP, for example, would be fun entries to fill in. REPOSSESSED, on the other hand, is a total snoozer.

“Minimize crosswordese and try to make the vocabulary accessible. If your theme is a Monday-level easy theme, crazy and obscure names are unwelcome. But if it’s a razor-tough Saturday themeless, a few tough words are okay.”

Crossword constructor Robin Stears suggested an additional step when choosing your entry words and filling the grid: “I check each word against a website called Crossword Tracker, which tracks crossword puzzle words and clues.

“If a word has never been used before, I hesitate to use it. The only exception to that rule is a fairly new word that I want to be the first to use—for a while, it seemed like every other puzzle contained ZZZQUIL, including one of mine.”

How to Make a Crossword: Cluing Advice

After constructing the grid, cluing is the most daunting task facing a constructor. Constructor Robin Stears readily confessed, “Writing the clues is the most time-consuming process of puzzle construction, especially for common words that appear in many puzzles. Crossword Compiler allows me to keep a database of words and clues, but I try not to use the same clue twice.”

Constructor and puzzle archivist David Steinberg: “When writing clues, it’s important to strike a balance between original clues and clues that exist in databases. For entries that appear frequently and/or have a limited number of cluing possibilities, such as ALAI (traditionally clued as [Jai ___]), I feel it’s best to go with a database clue. In the case of ALAI, almost all clever cluing possibilities, such as [Half-court game?], have been exhausted.

“Original clues for such an entry often end up feeling strained or wordy and/or rely on a less common usage of a word, which solvers generally don’t appreciate as much.”

Constructor Ian Livengood also stressed finding a balance between creativity and accessibility: “Keep you clues relatively short, especially if you’re creating puzzles for outlets with strict line counts. But don’t just use one-line clues for everything, since that will bore solvers. Try to toss in some fun trivia, wordplay, etc. that seems interesting to solvers.

“And, like filling the grid, make sure you clues are appropriate for the intended day of the week. [High line?] for ELEVATED TRAIN works well for a tough puzzle, but would only fluster new solvers in a Monday puzzle. [Above-the-street transportation] is easier and more welcome for beginners.”

Constructor Robin Stears reminds you to utilize the many resources available: “Personally, I use a number of websites to help me write clues: Wikipedia, Wolfram Alpha, The Free Dictionary, Crossword Tracker, Internet Movie Database, Reddit, and Google. In the old days, I used to spend hours in the reference section of the library, but nowadays, it’s much easier to search the Internet. There’s a wikia for almost everything.”

When it comes to determining the difficulty of a clue, constructor Doug Peterson suggests doing a bit of research: “My best advice is to solve lots and lots of puzzles of varying levels of difficulty. It won’t take long for you to get a feel for what types of clues are found in what types of puzzles. And it’s OK to have a few hard clues on a Monday or a Tuesday. Just make sure their answers don’t cross.”

Los Angeles Times Crossword Editor Rich Norris and assistant Patti Varol touched on how cluing can set a puzzle’s difficulty: “With the right grid, a talented, creative editor can transform an expert-level puzzle into one that any newbie can solve (and that an expert would still enjoy). Every editor has his or her own ‘familiarity test,’ which is the educated guess we make to determine if a clue or an entry will resonate with or be recognized by our solvers.

“It’s subjective, sure, but there are also pretty straightforward guidelines. If an entry is not in most major dictionaries and only gets 10K or so Google hits, well, that’s pretty obscure and probably shouldn’t be used at all. The editor needs to know the solving audience and needs to know how to balance current and older pop culture references -– much of what the Millennials find easy will completely baffle the Boomer solvers, and vice versa.”

They were also kind enough to offer an example of how cluing a given word can affect clue difficulty:

“Take the entry SMITH, for example. Will SMITH and Ozzie SMITH are arguably more famous than Patti SMITH, who is arguably more famous than Matt SMITH. Plain clues — [Actor Will], [Baseballer Ozzie], [Singer Patti], [Actor Matt] – tend to be hard. Ozzie is the exception in this example, because Ozzie is such an unusual name in baseball that even nonfans are likely to word-associate their way to the correct answer.

“What information is added to those semi-naked clues is key. Thus, [“Men In Black“ actor Will] is an easy clue for SMITH because “Men In Black” is a popular movie franchise and having the first name narrows down the potential answers. Compare [“Just Kids” memoirist Patti]. Even with that first name in the clue, it’s a tough clue — more solvers know Patti Smith as a singer than as a writer, and the title of her memoir doesn’t even hint at her singing career. For a nonfan, [Hall of famer shortstop Ozzie] is about the same difficulty as [Baseballer Ozzie], but, alas, it’s likely only a Doctor Who fan will recognize any clue for Matt SMITH.

“There’s Kate SMITH, and Bessie SMITH, and Agent SMITH of the Matrix movies. Each one resonates with a different solver. The easiest kind of clue for SMITH is, of course, the generic kind: [Common alias] or [Popular surname] or [Suffix with lock or gun]. And then there’s the fun, inferable kind: [Surname that comes from an occupational suffix].”

5 Questions for Crossword Constructor Ian Livengood

Welcome to the inaugural edition of PuzzleNation Blog’s newest feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m proud to have Ian Livengood as our first 5 Questions interviewee!

Ian has constructed puzzles for The New York Times, The Los Angeles Times, and The American Crossword Puzzle Tournament, building a reputation as both a savvy constructor and a crafty cluesmith. He spends his days as a crossword editor for Penny Press, in addition to his extracurricular puzzle constructing. (And he even found time to contribute some terrific entries to two clue-centric PN blog posts earlier this year!)

So, without further ado, let’s get to it!

5 Questions for Ian Livengood

1. How did you get started with puzzles?

I started solving crosswords in high school as a way to pass the time. I was a pretty horrible solver at first, obviously, but stuck with it. I tried my hand at constructing a puzzle when I was 19 or 20 and the results were, uh, less than stellar. I think I used 82 words (78 is the limit in most outlets) with some suspect fill. I got the constructing “bug” again in my mid-20’s. I didn’t even know construction software existed — I was using Microsoft Excel and a crude wildcard search engine — but I eventually stumbled on some nice software and began to study exactly how puzzles were made. 

2. Who are three creative types that inspire you?

It’s tough to identify specific people, but I certainly respect certain types of puzzles. I really enjoy a smooth and easy Monday, a diabolically tricky Thursday-level puzzle and a tough themeless puzzle. I really admire “smooth fill.” These are the non-thematic entries in a puzzle that avoid “crosswordese” (entries you only encounter in crosswords) and that are fun and interesting to solve. Frankly, it’s really hard to pull off, and I recognize and respect the skill it took to create ’em.

3. What puzzly endeavors are you currently working on?

I teach a crossword construction class every Sunday in the Spring and Fall in New York City to a group of seniors. As a class, we go through the process of picking a puzzle theme, building a grid, filling the grid and writing the clues. The goal is to get the collaborative puzzle into the New York Times.

Also, I have a book coming out in Spring 2014 called “Sit and Solve Sports Crosswords” through Sterling Publications. As you might guess, the book has 42 easy-medium 10×10 sports-themed puzzles. Since I’m a sports nut, this was a really fun one to make. Available wherever books are sold.

4. You were recently interviewed by the Canadian Broadcasting Corporation regarding your crossword construction class. What was that like, and how did that affect how you see yourself as a constructor?

Yeah, that was a lot of fun. A Canadian NPR producer was solving a recent Sunday New York Times puzzle that class made and thought it would be fun to interview the seniors that helped contribute to the puzzle. I can’t say my Q-rating has really spiked, but it’s always nice to get positive feedback from solvers.

5. If you had a million dollars and three Hawaiian islands, what would you do with them?

Well… since I’m a skier and not much of a beach guy, I’d sell the islands and just go heli-skiing everyday. That sounds pretty nice.

Many thanks to Ian Livengood for his time. Check out his ebook of 25 easy puzzles here, and keep your eyes peeled for his work in the New York Times (Monday’s puzzle is a Livengood original)!

Thanks for visiting the PuzzleNation blog today! You can like us on Facebook, follow us on Twitter, check out our Classic Word Search iBook, play our games at PuzzleNation.com, or contact us here at the blog!